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W. C a r e w H a z l i t t Coinage of the European Continent

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Descriptive Outline <strong>of</strong> <strong>the</strong> <strong>Coinage</strong>s <strong>of</strong> Europe 469<br />

struck in France on a model altoge<strong>the</strong>r different from that<br />

followed elsewhere. It is ra<strong>the</strong>r singular, however, that<br />

while <strong>the</strong> Venetian counterpart, belonging to <strong>the</strong> twelfth<br />

century, was <strong>of</strong> Byzantine parentage, <strong>the</strong> 4-denier piece <strong>of</strong><br />

<strong>the</strong> French appears to have been copied in some <strong>of</strong> its<br />

details from an Arabic original, where certain Oriental<br />

characters on <strong>the</strong> obverse underwent at <strong>the</strong> hands <strong>of</strong> <strong>the</strong><br />

or chatel.<br />

<strong>European</strong> engraver transformation into a gateway<br />

The principal feature in <strong>the</strong> new gros tournois <strong>of</strong> Louis<br />

IX. was its standard and its utility in commerce. It may strike<br />

a modern thinker that <strong>the</strong> addition <strong>of</strong> a groat to <strong>the</strong> coinage<br />

<strong>of</strong> a great and powerful people was not a matter <strong>of</strong> peculiar<br />

importance but it was a gain for which England had still<br />

;<br />

a century to wait<br />

;<br />

and when we consider <strong>the</strong> o<strong>the</strong>r improvements<br />

made by this prince in a similar direction, we may ask<br />

<strong>the</strong> question, whe<strong>the</strong>r <strong>the</strong> step here taken was not adequate<br />

to existing requirements. For, besides <strong>the</strong> gros, attributable<br />

to <strong>the</strong> middle <strong>of</strong> <strong>the</strong> thirteenth century, Louis struck two<br />

gold types : <strong>the</strong> royal or regalis aureus and <strong>the</strong> fau a" or,<br />

both at present <strong>of</strong> great rarity. O<strong>the</strong>r varieties in <strong>the</strong> same<br />

metal have been named in<br />

connection with him, but apparently<br />

without real authority. The error or misconception is<br />

very likely to have arisen from <strong>the</strong> similarity <strong>of</strong> <strong>the</strong> title on<br />

<strong>the</strong> agnels <strong>of</strong> Louis X. ; and, again, from <strong>the</strong> reference to <strong>the</strong><br />

same piece under different names. But one authority (Le<br />

Blanc) certainly cites <strong>the</strong> chaise d'or under this king, whereas<br />

<strong>the</strong> earliest known belongs to Philip IV.<br />

Louis IX. was <strong>the</strong> restorer on a more modern basis <strong>of</strong><br />

<strong>the</strong> French gold currency, which had been in existence from<br />

<strong>the</strong> most remote period <strong>of</strong> <strong>the</strong> monarchy, and probably <strong>the</strong><br />

circulation <strong>of</strong> <strong>the</strong> royal and ecu was at first very limited.<br />

Succeeding<br />

reigns added <strong>the</strong> petit royal, <strong>the</strong> agnel or mouton, <strong>the</strong><br />

masse \ and <strong>the</strong> chaise; and <strong>the</strong> succession <strong>of</strong> <strong>the</strong> house ot<br />

Valois in 1328 tended still far<strong>the</strong>r to multiply varieties,<br />

while occasionally types disappeared after a brief trial. Such<br />

was <strong>the</strong> fate <strong>of</strong> <strong>the</strong> masse where <strong>the</strong> king holds in his right<br />

hand <strong>the</strong> sceptre or mace, and which was discontinued after<br />

Philip IV. Philip VI. <strong>of</strong> Valois (1328-50), whose beautiful

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