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W. C a r e w H a z l i t t Coinage of the European Continent

W. C a r e w H a z l i t t Coinage of the European Continent

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58 The Coins <strong>of</strong> Europe<br />

rivalled <strong>the</strong> finest Greek work ;<br />

but <strong>the</strong> men who were<br />

patronised by <strong>the</strong> great mediaeval families <strong>of</strong> <strong>the</strong> Peninsula<br />

were in <strong>the</strong> presence <strong>of</strong> conditions and restraints unknown<br />

to <strong>the</strong>ir predecessors.<br />

The Greek feeling and taste revealed itself in <strong>the</strong><br />

Roman consular or family series, but was gradually lost in<br />

<strong>the</strong> imperial one, more especially in <strong>the</strong> decadence <strong>of</strong> <strong>the</strong><br />

reverses. Even in <strong>the</strong> consular coinage, however, <strong>the</strong><br />

delineation <strong>of</strong> <strong>the</strong> human figure already exhibited a marked<br />

declension from <strong>the</strong> high standard <strong>of</strong> fine Greek art,<br />

although bust-portraits and inanimate objects are rendered<br />

with equal success and felicity.<br />

Again, <strong>the</strong> Byzantine corruption <strong>of</strong> <strong>the</strong> debased Roman<br />

type, spreading itself after <strong>the</strong> fall <strong>of</strong> <strong>the</strong> western division<br />

<strong>of</strong> <strong>the</strong> empire over <strong>the</strong> greater part <strong>of</strong> Europe, and affected<br />

in its<br />

progress by climatic, local, and religious influences,<br />

penetrated on <strong>the</strong> one hand to Bulgaria, Servia, and Muscovy,<br />

where we discern it in <strong>the</strong> coins <strong>of</strong> <strong>the</strong> grand duchy <strong>of</strong><br />

Kief, while on <strong>the</strong> o<strong>the</strong>r it found its way westward to<br />

Venice and o<strong>the</strong>r parts <strong>of</strong> Italy, to <strong>the</strong> Two Sicilies, France,<br />

Spain, England, and <strong>the</strong> Low Countries, where it formed<br />

<strong>the</strong> basis <strong>of</strong> <strong>the</strong> so-called Merovingian family <strong>of</strong> gold and<br />

silver pieces, but more particularly <strong>of</strong> coins in <strong>the</strong> more<br />

precious metal equivalent in weight and value to <strong>the</strong> third<br />

part <strong>of</strong> a Byzantine solidus.<br />

The variations and disparity observable in <strong>the</strong> abundant<br />

remains <strong>of</strong> <strong>the</strong> Merovingian money are to be attributed,<br />

perhaps, to <strong>the</strong> character <strong>of</strong> <strong>the</strong> colonial or provincial coinage<br />

<strong>of</strong> Greece and Rome, with which <strong>the</strong> mediaeval copyists<br />

were brought into contact, to <strong>the</strong> degree <strong>of</strong> success in<br />

reproducing originals, and to gradual improvement<br />

in conducting<br />

<strong>the</strong> processes <strong>of</strong> fabrication during <strong>the</strong> course <strong>of</strong><br />

centuries.<br />

At <strong>the</strong> same time, <strong>the</strong> types <strong>of</strong> many <strong>of</strong> <strong>the</strong> ancient<br />

specimens <strong>of</strong> continental currency were advisedly or insensibly<br />

adapted to local characteristics and peculiarities, and<br />

were broadly governed by <strong>the</strong> predominance <strong>of</strong> military and<br />

feudal sentiment. Even before any idea <strong>of</strong> introducing a

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