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A trobriandi krikettől... - Magyar Elektronikus Könyvtár ...

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preservation and articulation of group symbols.” 436 It follows from this statement that the<br />

ethnic identity – that can be thought of as the organization of cultural differences – creates<br />

organized differences only if the individuals accept the boundary which becomes part of their<br />

experience. Then cultural differences which exist only as boundary contents play a role in<br />

ethnic separation and thus the boundaries of the group are marked.<br />

In Véménd, Csolnok, and Dunabogdány, music, singing, and dance are the most important<br />

factors of ethnic identity. Playing music goes back to old historical traditions in all the three<br />

villages. Within their means and possibilities these communities created the modes of natural<br />

self-expression essential for survival. There were always a few accordions or wind<br />

instruments available in the villages or a band to play lively dance music. Choirs and dancegroups<br />

appeared after WWII. Before 1945 young people learned the polka or the waltz at<br />

balls and girls used to sing on Sunday afternoons when – arm in arm – they walked up and<br />

down the village. After 1945 life changed. Because of the migrations the closeness of villages<br />

came to an end except for Csolnok where relocation did not take place and the number of<br />

Germans significantly decreased. Almost half of the population changed. Due to a changed<br />

lifestyle customs died out, the articles for personal use and clothing typical of the peasant<br />

lifestyle became museum pieces, and the houses were rebuilt. In order to preserve the native<br />

culture and for the sake of continuity, choirs and dance groups were created. Transmitting<br />

culture in an organized way replaced the traditional inheritance of ethnic cultures.<br />

Swabians do not only dance at balls but also on stages. Most of the performed dances have<br />

been choreographed by keeping the native elements in them. Costumes are only worn at<br />

performances. Choirs have become professional and sing in different meetings, village days,<br />

gala performances, and concerts. Orchestra, dance, and choir rehearsals have become regular<br />

and the goal is to prepare for performances.<br />

Dunabogdány had long resisted to this tendency and this was the last village of the three<br />

where an orchestra was formed. Presently, however, there are six orchestras in the village.<br />

Besides nurturing the native cultural heritage, the St. Cecilia Choir performs in churches.<br />

They, however, do not dress up in traditional costumes. Dunabogdány does not have a dance<br />

group. Both in Csolnok and Véménd music groups, choirs, and dance groups of national fame<br />

have been performing for decades. In Csolnok the choir is more than 50 years old and the<br />

history of the miners’ orchestra is even older.<br />

All the generations from grade school to old age of these three villages are involved in these<br />

cultural activities. There is great emphasis paid to music education, training the new<br />

generation, and cultural preservation. Owing to the language change, collective cultural<br />

traditions built on a strong sense of origin and a strong sense of belonging to a group became<br />

the foundation of cultural preservation, of reinforcing identity consciousness, and of group<br />

cohesion which, consequently, give rise to and offer opportunities to a cultural environment<br />

of solid ethnic identity. Culture, however, which assures preservation and survival only<br />

prevails and can be successful at passing itself on if the elements of the culture are integrated<br />

in the lives of upcoming generations, have certain functions, and satisfy certain needs.<br />

Elements without functions are dropped by time and are lost to practice. The more ethniccultural<br />

elements become ingrained in the transmission process, the greater the chance for the<br />

survival of the ethnic group. Traditions, a conscious acceptance of these traditions in the<br />

present, and the instrumental nature of traditions in everyday life are the criteria of ethnic<br />

436 Marisa Zavalloni, „Ego-ecology: the study of the interaction between social and personal<br />

identities,” in A. Jacobson-Widding, ed., Identity: Personal and Socio-Cultural (Uppsala, 1983), p.<br />

240.<br />

487

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