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A study of characterisation in the novels of George Eliot

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96.<br />

acknowledged, "<strong>in</strong> itself, it is <strong>in</strong>competent to furnish any better<br />

reason why what we call good is preferable to what we call evil than<br />

what we had before. II 26<br />

The belief <strong>in</strong> progress and <strong>the</strong> hope <strong>of</strong> found<strong>in</strong>g a satisfactory<br />

ethic on <strong>the</strong> <strong>the</strong>ory <strong>of</strong> evolution were steadily eroded by <strong>the</strong> end <strong>of</strong> <strong>the</strong><br />

century •. Huxley's dissentient voice is <strong>in</strong>dicative <strong>of</strong> this erosion but<br />

<strong>the</strong>re were many . o<strong>the</strong>r writers who failed to share <strong>the</strong> mid-century optimism<br />

<strong>in</strong> Positivistic representations. 27 ~eorge <strong>Eliot</strong>'s own optimism was<br />

tempered by her conservatism and by her recognition that improvements,<br />

while possible, were <strong>in</strong>evitably gradual. ·.. Never<strong>the</strong>less <strong>the</strong> belief<br />

<strong>in</strong> moral growth is fundamental to her.<br />

If same characters can and do achieve moral c:::cel1ence ·::he.t is <strong>the</strong><br />

faculty that enables <strong>the</strong>m to do so? Let us now exam<strong>in</strong>e what, <strong>in</strong> <strong>George</strong><br />

<strong>Eliot</strong>'s view, constitutes moral discrim<strong>in</strong>ation. The n<strong>in</strong>eteenth century<br />

moral philosophers borrowed <strong>the</strong> term "moral sense" from <strong>the</strong> previous century.<br />

It is <strong>the</strong> development <strong>of</strong> this moral sense that allows a character<br />

<strong>in</strong> a <strong>George</strong> <strong>Eliot</strong> novel to emerge from "moral stupidity." 28

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