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A study of characterisation in the novels of George Eliot

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28.<br />

discussion <strong>of</strong> Lydgate <strong>in</strong> chapter 15 <strong>of</strong> Middlemarch she comments, 00 I<br />

have already mentioned, that'lcharacter too is a process and an unfold<strong>in</strong>g."<br />

85 The word "unfold<strong>in</strong>g" is especially <strong>in</strong>terest<strong>in</strong>g because <strong>of</strong> its<br />

embryological connotation and its suggestion that a man's growth will<br />

be def<strong>in</strong>ed by an embryological bluepr<strong>in</strong>t. We are rem<strong>in</strong>ded <strong>of</strong> 1.Jr Irw<strong>in</strong>e's<br />

remark to Arthur Donnithorne <strong>in</strong> Adam Bede that "a man can never do anyth<strong>in</strong>g<br />

at variance with his own nature." 86. The follow<strong>in</strong>g epigraph from<br />

chapter 41 <strong>of</strong> Felix ~ expresses <strong>the</strong> same idea.<br />

for <strong>the</strong> soul can grow,<br />

As embryos, that live and move but bl<strong>in</strong>dly,<br />

Burst from <strong>the</strong> dark, emerge regenerate, 87<br />

And lead a life <strong>of</strong> vision and <strong>of</strong> choice.<br />

Growth is <strong>the</strong>refore seen to be possible but with<strong>in</strong> set limits, just as<br />

freedom is limited and restrioted. Character is seen to unfold and develop<br />

but it is still consistent with its own nature. We will f<strong>in</strong>d, <strong>the</strong>refore,<br />

that <strong>in</strong> our ana~sis<br />

<strong>of</strong> a particular character we need to concentrate<br />

our attention on <strong>the</strong> small "aeterm<strong>in</strong><strong>in</strong>g" actions that precede <strong>the</strong> major<br />

act <strong>of</strong> choice. Iris Murdoch states that "<strong>the</strong> exercise <strong>of</strong> our freedom is<br />

a small pieceTtleal bus<strong>in</strong>ess which goes on all <strong>the</strong> time and not a grandiose<br />

leap<strong>in</strong>g about unimpeded at important moments. The moral life, <strong>in</strong><br />

this view, is someth<strong>in</strong>g that goes on cont<strong>in</strong>ually, not someth<strong>in</strong>g that is<br />

switched <strong>of</strong>f between <strong>the</strong> occurrence <strong>of</strong> explicit moral choices. 1I<br />

88 In<br />

Middlemarch, on this assumption, it is more reward<strong>in</strong>g to consider not<br />

just <strong>the</strong> fact that Lydgate votes for Tyke, thus cement<strong>in</strong>g his relationship<br />

with Bulstrode <strong>in</strong> <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> Middlemarchers who do not f<strong>in</strong>d<br />

Busltrode's piety endear<strong>in</strong>g. We need also to consider <strong>the</strong> m<strong>in</strong>ute adjustments<br />

<strong>of</strong> expediency and self-<strong>in</strong>terest with <strong>the</strong> .Voider recognition<br />

<strong>of</strong> social factors, what <strong>George</strong> <strong>Eliot</strong> calls "niceties <strong>of</strong> <strong>in</strong>ward balance,"<br />

89 f"or it is <strong>in</strong> <strong>the</strong>se prelim<strong>in</strong>aries to action that we learn<br />

most about character. W. J. Harvey regards <strong>the</strong> exercise <strong>of</strong> <strong>the</strong> will<br />

as one <strong>of</strong> <strong>the</strong> "constitutive" categories by means <strong>of</strong> which we come to

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