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A study of characterisation in the novels of George Eliot

A study of characterisation in the novels of George Eliot

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letters. Because she believes <strong>in</strong> <strong>the</strong> possibilities <strong>of</strong> <strong>in</strong>dividual<br />

moral growth, <strong>the</strong> <strong>novels</strong> are concerned with moral development and<br />

decl<strong>in</strong>e. Characters can be placed along a moral axis accord<strong>in</strong>g as<br />

<strong>the</strong>y display or reject such qualities as sympathy, or allegiance to<br />

<strong>the</strong> past, or acceptance <strong>of</strong> duty. Unmistakably throughout all <strong>George</strong><br />

<strong>Eliot</strong>'s moral conflicts and solutions is a hierarchy <strong>of</strong> absolute<br />

values.<br />

To bridge <strong>the</strong> gap between description and evaluation, however,<br />

it is necessary to exam<strong>in</strong>e more specifically <strong>the</strong> aes<strong>the</strong>tic<br />

implications <strong>of</strong> <strong>George</strong> <strong>Eliot</strong>'s framework <strong>of</strong> belief. Her concept <strong>of</strong><br />

self, <strong>the</strong> tragic implications <strong>of</strong> a framework <strong>of</strong> universal causality<br />

and irreversible laws, constitute important limitations on <strong>the</strong><br />

manipulation <strong>of</strong> plot and <strong>the</strong>me, and on <strong>the</strong> development <strong>of</strong> characters<br />

abd <strong>the</strong> choD!ces <strong>the</strong>y confront.

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