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A study of characterisation in the novels of George Eliot

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146.<br />

<strong>the</strong> children--which she would perhaps have felt less if Grandoourt had<br />

been as she had imag<strong>in</strong>ed him, a man susceptible to her charm and able<br />

to be mastered by her so that she COtllJ have oont<strong>in</strong>ued to !1nLke he.:::­<br />

penances easy" 56 --fills her with a remorse which eats <strong>in</strong>to her and.<br />

forces her <strong>in</strong>to an awareness <strong>of</strong> <strong>the</strong> rights <strong>of</strong> o<strong>the</strong>r people, She has<br />

- 57<br />

come to "look at [he:J life as a debtll<br />

and <strong>in</strong>stead <strong>of</strong> shunn<strong>in</strong>g <strong>the</strong>m,<br />

to f<strong>in</strong>d comfort and surety <strong>in</strong> <strong>the</strong> discharge <strong>of</strong> quite simple duties,<br />

"primary duties, \I 58 def<strong>in</strong>ed by her position as sister and daughter.<br />

In strong contrast to Gl'lendolen, we see Deronda, equally adrift and<br />

unbonded to <strong>the</strong> past, ~3ecretl'y<br />

compla<strong>in</strong><strong>in</strong>g that because <strong>of</strong> "<strong>the</strong> way <strong>in</strong><br />

which o<strong>the</strong>rs had ordered his ••• life" he has not had <strong>the</strong> IIfull guidance<br />

<strong>of</strong> primary duties." 59 The not know<strong>in</strong>g his parentage gives him a sense<br />

<strong>of</strong> alienation and separateness; he struggles to establish for himself an<br />

identity. The sympathy and understand<strong>in</strong>g he shows for a vade variety <strong>of</strong><br />

human situations, far from giv<strong>in</strong>g him a sense <strong>of</strong> belong<strong>in</strong>g, seem to reduce<br />

his contaots with <strong>the</strong> world to a mere dilettanteism. <strong>George</strong> <strong>Eliot</strong>,<br />

as too <strong>of</strong>ten with this character, chooses to "tell" us <strong>of</strong> his dilemma<br />

ra<strong>the</strong>r than "show" it to us dramatically. Thus we see his problem <strong>in</strong> her<br />

terms as when she says that "a too reflective and diffusive sympathy<br />

was <strong>in</strong> danger <strong>of</strong> "paralys<strong>in</strong>g <strong>in</strong> him that <strong>in</strong>dignation aga<strong>in</strong>st wrong and<br />

60<br />

that selectness <strong>of</strong> fellowship which are <strong>the</strong> conditions <strong>of</strong> moral force."<br />

61<br />

He is adrift and wander<strong>in</strong>g, like a "yearn<strong>in</strong>g, disembodied spirit, II <strong>the</strong><br />

perfect exemplar <strong>of</strong> Feuerbach's description <strong>of</strong> a man who has no aim.<br />

. ,<br />

Feuerbach, <strong>in</strong> The Essence <strong>of</strong> Christianitl, states <strong>in</strong> <strong>George</strong> El~ot s<br />

translation, that "he who has no aim, has no home, no sanctuary; aimlessness<br />

is <strong>the</strong> greatest unha.pp<strong>in</strong>ess. II In contrast with this he cont<strong>in</strong>ues:<br />

Ii<br />

He who has an aim, an aim which is <strong>in</strong> itself true and essential, has,<br />

62<br />

£2. ipso, a religion. II Deronda t s aimless state seems to <strong>in</strong>dicate, <strong>in</strong><br />

embryonic form, <strong>the</strong> state <strong>of</strong> despair which leads some Existentialists,

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