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A study of characterisation in the novels of George Eliot

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that come vlith <strong>the</strong> revelation <strong>of</strong> his Jewish heritar.;e.<br />

When hi 5· mo<strong>the</strong>r, driven by <strong>the</strong> aveng<strong>in</strong>g Furies, reveals to him <strong>the</strong><br />

secret <strong>of</strong> his Jewish birth, he does not just passively accept his heritage.<br />

It br<strong>in</strong>gs with it, for him, an identity, a passionate identification<br />

with his ancestral people and a will<strong>in</strong>g assumption <strong>of</strong> any obligations<br />

or duties that belong to <strong>the</strong> fact <strong>of</strong> his be<strong>in</strong>g born a Jew. He declares to<br />

his mo<strong>the</strong>r, "'I consider it my duty--it is <strong>the</strong> impulse <strong>of</strong> my feel<strong>in</strong>g--<br />

65<br />

to identify myself, as far as possible, "lith my hereditary people.' \I<br />

Ji'ar from feel<strong>in</strong>g shackled by his recognition <strong>of</strong> his new duties, "he<br />

came back with what was better thc'1n freedom--with a duteous bond. 1I<br />

66 His<br />

path is <strong>the</strong> opposite <strong>in</strong> that sense to Gwendolen's; where she is shown<br />

<strong>the</strong> futility <strong>of</strong> struggl<strong>in</strong>g to escape from any such "duteous bandit and<br />

<strong>of</strong> 'want<strong>in</strong>g to declare her separateness from all such moral obligations,<br />

Deronda is lost and adrift because he lacks <strong>the</strong> sense <strong>of</strong> purpose, as<br />

he def<strong>in</strong>es it, 1Isome social capta<strong>in</strong>ship, vvhich coula. come to 1lii~<br />

duty, ancl not be striven for as a personal prize. II 67<br />

as a<br />

Duty can be seen, <strong>the</strong>refore, to govern both <strong>the</strong>ir lives, and <strong>the</strong>ir<br />

f<strong>in</strong>al read<strong>in</strong>ess to accept <strong>the</strong>ir obligations, eagerly <strong>in</strong> <strong>the</strong> case <strong>of</strong><br />

Deronda, and more reluctantly <strong>in</strong> <strong>the</strong> case <strong>of</strong> Gwendolen, reveals to us<br />

<strong>the</strong>ir capacity for moral grovrth. It is not just that <strong>George</strong> <strong>Eliot</strong> <strong>in</strong><br />

her <strong>novels</strong> creates a morftl scale related to <strong>the</strong> ,question <strong>of</strong> duty; duty<br />

seen as someth<strong>in</strong>g we must perform; gladly and vvill<strong>in</strong>gly if possible,<br />

but vlith <strong>the</strong> assistance <strong>of</strong> extern'l law until such time as "duty and<br />

love have united. II 68 Duty provides a conunitment, a pertisanship, but<br />

what 3eems to be more important, it frees <strong>the</strong> person from <strong>the</strong> necessity<br />

<strong>of</strong> mak<strong>in</strong>g difficult decisions "lithout any real motivation; for example,<br />

Deronda's fear <strong>of</strong> hav<strong>in</strong>g lito make an arbitrary seJ:ection where he felt<br />

no preponclerance <strong>of</strong> clesire," 69 or Romola t 3 awareness <strong>of</strong> "that burden<br />

<strong>of</strong> choice whIch presses with heaVier and heavier weight ','[hen claims

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