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A study of characterisation in the novels of George Eliot

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107.<br />

feel<strong>in</strong>g. Comte, for example, claims that "to leave <strong>the</strong> decision <strong>of</strong> such<br />

Gora~J questions to <strong>the</strong> judgement <strong>of</strong> <strong>the</strong> <strong>in</strong>dividual, is to give a<br />

:f'orrnal sanction to all <strong>the</strong> natural difference <strong>in</strong> men I s <strong>in</strong>cl<strong>in</strong>ations." 36<br />

How, <strong>the</strong>n, did <strong>George</strong> <strong>Eliot</strong> cope with this "bogey<strong>of</strong>': relativism II 37<br />

which first appeared with Locke's refutation <strong>of</strong> <strong>the</strong> <strong>the</strong>ory <strong>of</strong> <strong>in</strong>nate<br />

ideas? We have seen that <strong>George</strong> <strong>Eliot</strong>'s thought strongly endorsed that<br />

<strong>of</strong> her contemporaries <strong>in</strong> <strong>the</strong> emphasis that she placed on feel<strong>in</strong>g <strong>in</strong><br />

matters <strong>of</strong> morality. Her position is made clear <strong>in</strong> an authorial statement<br />

<strong>in</strong> Romola, where she writes that lIafter all has been said that can<br />

be said about <strong>the</strong> widen<strong>in</strong>g <strong>in</strong>fluence <strong>of</strong> ideas, it rema<strong>in</strong>s true that <strong>the</strong>y<br />

would hardly be such strong agents unless <strong>the</strong>y were taken <strong>in</strong> a solvent<br />

<strong>of</strong> feel<strong>in</strong>g. 38<br />

II<br />

A "solvent <strong>of</strong> feel<strong>in</strong>g" is necessary for <strong>the</strong> precipitatio:g. <strong>of</strong> ideas.<br />

Two statements <strong>in</strong> Middlemarch concern<strong>in</strong>g <strong>the</strong> banker, Bulstrode, make it<br />

quite clear what sort <strong>of</strong> feel<strong>in</strong>g normally provides <strong>the</strong> solvent. The first<br />

describes him as "simply a man whose desires had been stronger than his<br />

<strong>the</strong>oretic beliefs" so that he had Ilgradually expla<strong>in</strong>ed <strong>the</strong> gratification<br />

<strong>of</strong> his desires <strong>in</strong>to satisfactory agreement with <strong>the</strong>se beliefs." 39 The<br />

second makes a more general comment from Bulstrode's situation and identifies<br />

"<strong>the</strong> common trick <strong>of</strong> desire,'" which "avails itself <strong>of</strong> any irrelevant<br />

scepticism, f<strong>in</strong>d<strong>in</strong>g larger room for itself <strong>in</strong> all uncerta<strong>in</strong>ty<br />

about effects, <strong>in</strong> <strong>the</strong> very obscurity that looks like <strong>the</strong> absence <strong>of</strong><br />

law." 40 The ironic tone does not disguise <strong>the</strong> fact that <strong>George</strong> <strong>Eliot</strong><br />

is fully aware <strong>of</strong> <strong>the</strong> moral anarchy that could result if everyone accepted<br />

a brief to follow his ovm feel<strong>in</strong>gs. It is no co<strong>in</strong>cidence that I have<br />

drai~ my examples from Middlemarch, for this novel, above all o<strong>the</strong>rs, is<br />

concerned with <strong>the</strong> nature <strong>of</strong> evidence, 'l'ti th IIright see<strong>in</strong>g, II<br />

and with<br />

<strong>the</strong> problems <strong>of</strong> ethical <strong>in</strong>dividualism. The strong emphasis it gives to<br />

<strong>the</strong> damag<strong>in</strong>g effect <strong>of</strong> gossip is a feature <strong>of</strong> <strong>George</strong> <strong>Eliot</strong>ts concern that

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