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A study of characterisation in the novels of George Eliot

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117.<br />

empirical statements are reports <strong>of</strong> what we see when we look at <strong>the</strong><br />

natural world. II 72 The words used by <strong>in</strong>tuitionists to describe <strong>the</strong><br />

faoulty by means <strong>of</strong> whioh we decide that someth<strong>in</strong>g is good or right,<br />

words such as "non-sensuous <strong>in</strong>tuition,1t "awareness," "apprehension,"<br />

"reoognition," as Nowell-Smith po<strong>in</strong>ts out, all strongly suggest an<br />

analogy with "sight and touch. II 73<br />

The follow<strong>in</strong>g statement <strong>in</strong> Middlernarch about Doro<strong>the</strong>a's pa<strong>in</strong>ful<br />

emergence from "moral stupidity" 74 illustrates that <strong>George</strong> <strong>Eliot</strong><br />

certa<strong>in</strong>ly conoeived <strong>of</strong> <strong>the</strong> moral faculty as a physioal faculty, a<br />

function <strong>of</strong> <strong>the</strong> organism, to borrow Lewes' phrase.<br />

it had been easier to her to imag<strong>in</strong>e how she would devote herself<br />

to Mr Casaubon, and become wise and strong <strong>in</strong> his strength and<br />

wiooom, than to conceive with that dist<strong>in</strong>ctness which is no<br />

longer reflection but feel<strong>in</strong>g--£:!l ~ wrought ~ 12. ~ direct­<br />

~ .2f.sense, like ~ sOlidit;y <strong>of</strong> objects--that he had an<br />

equivalent centre <strong>of</strong> self, where <strong>the</strong> lights and shadows must<br />

always fall with a certa<strong>in</strong> difference. (5 (my italics1<br />

This identification <strong>of</strong> moral and physical vision is not an isolated<br />

<strong>in</strong>stance. illhere is a similar referenoe <strong>in</strong> Daniel Deronda <strong>in</strong> <strong>the</strong> epigraph<br />

to chapter 21 and <strong>the</strong> follow<strong>in</strong>g statement <strong>in</strong> ~ ~'about<br />

D<strong>in</strong>ah's failure to recognise that Hetty's worries are practical and<br />

emotional ra<strong>the</strong>r than spiritual conta<strong>in</strong>s <strong>the</strong> same analogy.<br />

It is our habit to say that while <strong>the</strong> lower nature can never<br />

understand <strong>the</strong> higher, <strong>the</strong> higher nature commands a complete<br />

view <strong>of</strong> <strong>the</strong> lower. But I th<strong>in</strong>k <strong>the</strong> higher nature has to learn<br />

this comprehension, as we learn <strong>the</strong> art <strong>of</strong> vision, by a good<br />

deal <strong>of</strong> hard experience, <strong>of</strong>ten with bruises and gashes <strong>in</strong>curred<br />

<strong>in</strong> tak<strong>in</strong>g thiqgs by <strong>the</strong> wrong end, and fancy<strong>in</strong>g our space wider<br />

than it is. 76<br />

A letter to Mrs Ponsonby <strong>in</strong> 1877 <strong>of</strong>fers <strong>the</strong> same conclusion.. <strong>George</strong><br />

<strong>Eliot</strong> writes that "pity and fairness--two little words, which, carried<br />

out, would embrace <strong>the</strong> utmost delicacies <strong>of</strong> <strong>the</strong> moral life--seem to<br />

me not to rest on an unverifiable hypo<strong>the</strong>sis but on facts quite as<br />

irreversible as <strong>the</strong> perception that a pyramid v1ill not stand on its<br />

apex. 1I 77

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