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A study of characterisation in the novels of George Eliot

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3.<br />

<strong>the</strong> time, and certa<strong>in</strong>ly no novelist, more fully epitomizes <strong>the</strong> cent~;<br />

her development is a paradigm, her <strong>in</strong>tellectual biography a graph, <strong>of</strong> its<br />

most decided trend. It 3 One possible approach, <strong>the</strong>refore, 1to. J<br />

<strong>George</strong> <strong>Eliot</strong> t s<br />

work is to use her articles, letters, and <strong>novels</strong> as quarries for research<br />

<strong>in</strong>to n<strong>in</strong>eteenth cent~ ideologies. A related pursuit is <strong>the</strong> search for<br />

<strong>in</strong>fluences, and <strong>the</strong> detection <strong>of</strong> similarities between her thought and<br />

that <strong>of</strong> her contemporaries, not <strong>in</strong> order to suggest a common preoccupation<br />

with certa<strong>in</strong> topics but <strong>in</strong> order to establish causal l<strong>in</strong>ks. Historians <strong>of</strong><br />

ideas can delve <strong>in</strong>to her <strong>novels</strong> and come up with items labelled ItComteJ'<br />

or "Feuerbach)' or ''Darw<strong>in</strong>. tt But conclusions <strong>of</strong> this ldnd are very difficult<br />

to prove and <strong>the</strong>refore always rema<strong>in</strong> tentative. And when vIe are deal<strong>in</strong>g with<br />

~a m<strong>in</strong>d <strong>of</strong> <strong>the</strong> quality <strong>of</strong> <strong>George</strong> <strong>Eliot</strong>'s, it is highly probable that<br />

on certa<strong>in</strong> occasions she herself was <strong>the</strong> orig<strong>in</strong>ator <strong>of</strong> <strong>the</strong> "<strong>in</strong>fluenoe."<br />

Lewes, for example, acknowledges that he owes to her his recognition <strong>of</strong> <strong>the</strong><br />

Utopian nature <strong>of</strong> Comte's work. 4 Later, <strong>in</strong> ~ Study ~ Psycholoeax (1878),<br />

he mentions that "one very near and dear" 5 has brought to his 'notice an<br />

important pasSage from Aristotle's Ethics. Herbert Spencer similarly<br />

admits a debt to her. 6 In his AutobiOgraphY, he also states clearly<br />

that "<strong>the</strong>re is not <strong>the</strong> slightest foundation" for <strong>the</strong> belief that he had<br />

much to do with her education: <strong>the</strong>ir "friendship did not commence uutil<br />

1851--a date several years later than <strong>the</strong> publication <strong>of</strong> her translation<br />

<strong>of</strong> Strauss, and when she was alrea~ dist<strong>in</strong>guished by that breadth <strong>of</strong><br />

culture and universality <strong>of</strong> pOYiTer which have s<strong>in</strong>ce made her known to all<br />

<strong>the</strong> world." 7 And a fur<strong>the</strong>r <strong>in</strong>dication <strong>of</strong> <strong>the</strong> pervasiveness <strong>of</strong> her <strong>in</strong>fluence<br />

occurs <strong>in</strong> <strong>the</strong> notes D~v<strong>in</strong>'s<br />

son added to <strong>the</strong> posthumpus edition<br />

<strong>of</strong> ~ Expression ~ ~ Emotions ?::!l ~ ~ Animals. 8 For <strong>the</strong>re he suggests<br />

that readers who are seeldng confirmation <strong>of</strong> his fa<strong>the</strong>r's <strong>the</strong>sis should<br />

turn to Ge0rge <strong>Eliot</strong>'s <strong>novels</strong>. Clearly <strong>George</strong> <strong>Eliot</strong> exerted direct <strong>in</strong>fluence<br />

on various sem<strong>in</strong>al writers <strong>of</strong> <strong>the</strong> n<strong>in</strong>eteenth century, and we can thus

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