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A study of characterisation in the novels of George Eliot

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236.<br />

a<strong>in</strong>ly <strong>the</strong>y become yet ano<strong>the</strong>r <strong>of</strong> <strong>the</strong> unmodifiable laws <strong>of</strong> existence<br />

aga<strong>in</strong>st which it is not j !lst futile but even impious to struggle. But<br />

it is <strong>the</strong> conjunction <strong>in</strong> <strong>George</strong> <strong>Eliot</strong> <strong>of</strong> hereditary conditions and<br />

duty, <strong>the</strong> creation <strong>of</strong> a "hereditary/entailed Nemesis," 77 an awe-ful<br />

\<br />

figure <strong>of</strong> Fate, that constitutes such a ckedk on a character's freedom<br />

_,_~"."~o/<br />

<strong>of</strong> choice. Duty, as we have seen, is a moral absolute. Characters such<br />

as don Silva who <strong>in</strong>sist on <strong>the</strong>ir own rights to choose are foredoomed.<br />

He exclaims, "I have a right to choose Il\Y good or ill. tl 78 This provides<br />

a <strong>the</strong>matic contrast to Zarca's impassioned outburst to his<br />

daughter, that 'lbe<strong>in</strong>g <strong>of</strong> <strong>the</strong> blood you are--Il\Y blood--/Iou have no right<br />

to choose. tI 79 Fedalma has a pledge to redeem; as she says, ItI'll pay<br />

<strong>the</strong> debt." 80 Don Silva ends as a guUt-ridden pilgrim; Fedalma, although<br />

she believes her cause is hopeless now that her fa<strong>the</strong>r is dead, reta<strong>in</strong>s<br />

a faithfulness and loyalty to <strong>the</strong> facts <strong>of</strong> her gypsy birth. She suffers<br />

as a result <strong>of</strong> her commitment; consequently her loss <strong>of</strong> fre~dom is<br />

more apparent. Deronda embraces his commitment eagerly; we ar~<br />

expected<br />

to rejoice with him. Don Silva takes <strong>the</strong> facts <strong>of</strong> his heritage for granted<br />

and imag<strong>in</strong>es he can lightly dismiss <strong>the</strong>m but he is wracked with remorse<br />

and horror when he realises that <strong>the</strong> gypsies have killed many <strong>of</strong><br />

his compatriots. He realises too late that he is bound as str<strong>in</strong>gently<br />

by <strong>the</strong> fact that he is born a Spanish Catholic as Fed.alma is <strong>in</strong> her acknowledgement<br />

<strong>of</strong> her Z<strong>in</strong>c ali blood. The o<strong>the</strong>r two have both experienced<br />

unexpla<strong>in</strong>ed yearn<strong>in</strong>gs: Fedalma longs for space and freedom (<strong>the</strong> symbolic<br />

uncag<strong>in</strong>g <strong>of</strong> <strong>the</strong> little birds provides an analogy here) 81 and Deronda<br />

reaches out for his "social capta<strong>in</strong>ship, it 82 for an opportunity <strong>of</strong> se1£dedication.<br />

They learn <strong>of</strong> <strong>the</strong>ir ancestry and both feel that some vital<br />

miss<strong>in</strong>g clue to <strong>the</strong>ir personalities and motivation is now supplied.<br />

We need now to decide whe<strong>the</strong>r Deronda actually chooses or whe<strong>the</strong>r it<br />

would be truer to say that he has been chosen, that events have been

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