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A study of characterisation in the novels of George Eliot

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176.<br />

psychological terms; <strong>the</strong>re is no such separation <strong>in</strong> her m<strong>in</strong>d. -:lhnt we<br />

are exam<strong>in</strong><strong>in</strong>g is an identification between <strong>the</strong>se two aspects <strong>of</strong> <strong>the</strong> self.<br />

The character <strong>of</strong> Silas Marner provides a very explicit illustration<br />

<strong>of</strong> <strong>George</strong> <strong>Eliot</strong>'s belief that a healthy, accept<strong>in</strong>g relationship with <strong>the</strong><br />

past is a necessary concomitant <strong>of</strong> an <strong>in</strong>tegrated sense <strong>of</strong> self. We do<br />

not need critical analysis to make us aware <strong>of</strong> <strong>the</strong> Wordsworthian flavour<br />

<strong>of</strong> this short novel. <strong>George</strong> <strong>Eliot</strong> herself wrote <strong>in</strong> a letter to Blackwood<br />

that she had not expected it to engage anyone's <strong>in</strong>terest but her own<br />

"s<strong>in</strong>ce William Viordsworth ~a~ deaQ;." 26 The little novel is a blend <strong>of</strong><br />

fairytale and reality. The story <strong>of</strong> Godfrey<br />

Cass belongs to <strong>the</strong> world <strong>of</strong><br />

uni versal causality, where one action entails ano<strong>the</strong>r and where "conse-­<br />

quences are unpity<strong>in</strong>g"; 27 <strong>the</strong> story <strong>of</strong> <strong>the</strong> weaver <strong>in</strong> exile, regenerated<br />

and re<strong>in</strong>tegrated <strong>in</strong>to <strong>the</strong> life <strong>of</strong> <strong>the</strong> community by <strong>the</strong> <strong>of</strong>fices <strong>of</strong> a<br />

little orphan girl, is a fairy fantasy, a moral fable <strong>of</strong> suffer<strong>in</strong>g and<br />

despair converted <strong>in</strong>to heal<strong>in</strong>g and recovery. Silas' rejection by <strong>the</strong> <strong>in</strong>mates<br />

<strong>of</strong> Lantern Yard and especially by his trusted friend, Vlilliam<br />

Dene, sends him <strong>in</strong>to a state <strong>of</strong> exile, "<strong>in</strong> Ylhich <strong>the</strong> past becomes dreamy<br />

because its symbols have all vanished, and <strong>the</strong> present too is dreamy be-<br />

0t 0.. I<br />

cause 1 15 11nked W1th no memories.<br />

28<br />

I<br />

His life as an outcast and his miserly obsession with his c;old provide<br />

him with no l<strong>in</strong>ks between his past life and his present by means <strong>of</strong><br />

which he can re-establish his identity. There is a potential but temporary<br />

respi:te when he responds to <strong>the</strong> needs <strong>of</strong> Sally Oates and prescribes<br />

for her <strong>the</strong> herbs he had seen his mo<strong>the</strong>r take for <strong>the</strong> same affliction.<br />

"In this <strong>of</strong>fice <strong>of</strong> charity, Sile.s felt, for <strong>the</strong> first time s<strong>in</strong>ce he had<br />

come to Raveloe, a sense <strong>of</strong> unity between his past and present life,<br />

which might have been <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g <strong>of</strong> his rescue from <strong>the</strong> <strong>in</strong>sect-like<br />

existence <strong>in</strong>to which his nature had shrunk." 29 Unfortunately, however,<br />

<strong>the</strong> epi:1ocle \'las too ephemeral to break dO\'nl his neighbours' distrust <strong>of</strong>

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