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A study of characterisation in the novels of George Eliot

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14-3.<br />

Deronda t S<br />

specifically Jewish racial <strong>in</strong>heritance, <strong>of</strong> \'Ihich he is<br />

ignorant for much <strong>of</strong> <strong>the</strong> book, provides an explanation for many <strong>of</strong> <strong>the</strong><br />

seem<strong>in</strong>{';ly irrational and non-realistic elements <strong>of</strong> <strong>the</strong> book, and most<br />

particularly for <strong>the</strong> relationship '::ith <strong>the</strong> dy<strong>in</strong>g vi~ionary,<br />

Mordecai. It<br />

is as if, <strong>in</strong> order for us to accept that Deronda will be grateful to have<br />

<strong>the</strong> responsibility <strong>of</strong> his Jewishness revealed to him, we have also to<br />

accept that it is so strong an <strong>in</strong>fluence on h1s1ife that it manifests<br />

itself before he himself is aware <strong>of</strong> it. Deronda refers to "an <strong>in</strong>herited<br />

yearn<strong>in</strong>g--<strong>the</strong> effect <strong>of</strong> brood<strong>in</strong>g, passionate thoughts <strong>in</strong> many ancestors<br />

--thoughts that seem to have been <strong>in</strong>tensely present <strong>in</strong> mygrandi'a<strong>the</strong>r."<br />

43<br />

The notion <strong>of</strong> duty as "hereditary conditions, II 44 enlarges our understand<strong>in</strong>g<br />

<strong>of</strong> <strong>the</strong> complex <strong>in</strong>terplay <strong>of</strong> plots <strong>in</strong> this novel. Daniel. Derond.,:3.,<br />

has frequently been criticisecl for <strong>the</strong> overweight<strong>in</strong>g <strong>of</strong> <strong>the</strong> IIJewish<br />

question. II F. R. Leavis even went. so far as to suggest at one stage,<br />

l .. 5<br />

(although he later changed his m<strong>in</strong>d), h·6 JGhat it would make H much more<br />

satisfactory novel if· <strong>the</strong> Jewish question were omitted altoge<strong>the</strong>r and a<br />

new novel called Gwendolen Harleth were salvaged from <strong>the</strong> rema<strong>in</strong>s. This<br />

compla<strong>in</strong>t and o<strong>the</strong>rs like it po<strong>in</strong>t ma<strong>in</strong>ly to <strong>the</strong> fact that <strong>in</strong> writ<strong>in</strong>g <strong>the</strong><br />

Jewish dimension <strong>of</strong> <strong>the</strong> book, <strong>George</strong> <strong>Eliot</strong> was hav<strong>in</strong>G to rely heavily on<br />

. research; vie have seen someth<strong>in</strong>g similEI' <strong>in</strong> <strong>the</strong> Italian background <strong>of</strong><br />

Romola. The<br />

Jewish dimension was not someth<strong>in</strong>G directly related to her<br />

Drm experience; it required a supreme eff'ort <strong>of</strong> imag<strong>in</strong>ation for her to<br />

construct <strong>the</strong> necessary situations and <strong>the</strong> stra<strong>in</strong> is evident. However,<br />

we need to decide whe<strong>the</strong>r <strong>the</strong> compla<strong>in</strong>t aga<strong>in</strong>st Danie 1.<br />

~onda is a response<br />

to this feel<strong>in</strong>g <strong>of</strong> stra<strong>in</strong>, a recognition that <strong>George</strong> <strong>Eliot</strong> was<br />

not mov<strong>in</strong>g confidently <strong>in</strong> this un:Camiliar element, so that <strong>the</strong> sections<br />

deal<strong>in</strong>g with beronda when he is apart from Gwendolen lack <strong>the</strong> vividness<br />

and spontaneous <strong>in</strong>evitability <strong>of</strong> <strong>the</strong> Gwendolen/Grandcourt sections, or<br />

whe<strong>the</strong>r it concerns a more basic structural flaw. A brilliant psych-

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