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A study of characterisation in the novels of George Eliot

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9 ..<br />

a wider, more universal situation. It is only her anxious control <strong>of</strong> her<br />

characters and <strong>of</strong> her readers' response to those characters that we regret.<br />

A certa<strong>in</strong> measure <strong>of</strong> freedom is required even <strong>in</strong> a world dom<strong>in</strong>ated by<br />

"universal causality," 22 if a character is to accept responsibility for<br />

his actions and achieve moral growth. But if <strong>the</strong> nature <strong>of</strong> that moral<br />

growth is closely circumscribed by a moral absolutism and a hierarchical<br />

construct <strong>the</strong>n we will f<strong>in</strong>d restrictions on <strong>the</strong> ways <strong>in</strong> which a character<br />

is allowed to def<strong>in</strong>e himself with<strong>in</strong> his particular community and on <strong>the</strong><br />

sorts <strong>of</strong> choices open to him. And <strong>the</strong> rigidity that this entails will be<br />

partially concealed by <strong>the</strong> authorial approval meted out to those vlho are<br />

morally develop<strong>in</strong>g. llltimately what this means, is that if we accept<br />

)<br />

<strong>George</strong> <strong>Eliot</strong>'s premises, we can see that her conclusions are irrefutable.<br />

With<strong>in</strong> her <strong>in</strong>flexible set <strong>of</strong> co-ord<strong>in</strong>ates her characters do achieve carefully<br />

controlled moral growth and do learn to transend <strong>the</strong>ir egoistic<br />

limitations. They are socialised. Freedom, <strong>in</strong> <strong>George</strong> <strong>Eliot</strong>'s scheme, is<br />

"necessity understood," 23 and <strong>in</strong> our acceptance <strong>of</strong> her frame <strong>of</strong> reference<br />

we are also asked to adhere to this def<strong>in</strong>ition. When we understand <strong>the</strong><br />

necessity that presses on her characters, we can also recognise <strong>the</strong> small<br />

measure <strong>of</strong> freedom that <strong>the</strong>y are allowed and <strong>the</strong> possibility <strong>of</strong> moral<br />

growth which this confers. If, however, by an analysis <strong>of</strong> <strong>George</strong> <strong>Eliot</strong>'s<br />

system <strong>of</strong> beliefs, we are able to step outside her, framework, we can see<br />

a sad 10s8 <strong>of</strong> freedom and autonomy. The characters are not encouraged to<br />

rebel aga<strong>in</strong>st <strong>the</strong>ir circumstances, because a failure to accept <strong>the</strong> reality<br />

<strong>of</strong> <strong>the</strong> circumstances which oppress <strong>the</strong>m is a sign that <strong>the</strong>y are morally<br />

lightweight. Ironically, if vIe refuse to accept <strong>George</strong> <strong>Eliot</strong>'s universe,<br />

we stand convicted, <strong>in</strong> her terms, <strong>of</strong> "moral stupidity, It 24 and range ourselves<br />

on <strong>the</strong> side <strong>of</strong> such superlative egoists as Gwendolen Harleth. Yet<br />

with<strong>in</strong> <strong>the</strong> terms <strong>of</strong> her own set <strong>of</strong>' beliefs, we can see an implicit recognition<br />

that moral growth is correlative with freedom. Even allow<strong>in</strong>g f'or

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