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A study of characterisation in the novels of George Eliot

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1<br />

to scrut<strong>in</strong>ise <strong>the</strong> evidence before her<br />

her to meke a harsh aLd. uncompromis<strong>in</strong>g.<br />

judr'ement.aga<strong>in</strong>st Mr Bulstrode •. She, regretfully, has to<br />

concede that <strong>the</strong> rumours that Lydgate is Bul~:)trodet s natural son have<br />

no foundation, when she learns that :Gydgate "had never heard <strong>of</strong> Bulstrode tl<br />

before he came to Middlemarch. She retorts, however, "with an air <strong>of</strong><br />

precision:.' ••• 'That is satisfactory so far as Mr Lydgate is concerned .....<br />

/)2<br />

But as to Bulstrode-.,..<strong>the</strong> report may be true <strong>of</strong> some o<strong>the</strong>r son. It II .<br />

The seco~1d po<strong>in</strong>t is that until sympathy, <strong>the</strong> necessary <strong>in</strong>gredient <strong>of</strong> \<br />

moral ewarenes s, :i s eequ:ired, <strong>the</strong>n :if we are to a vo:id moral snarer..)', we I<br />

must <strong>in</strong>tensify not relax <strong>the</strong> rules. Only those who are at <strong>the</strong> upper end<br />

<strong>of</strong> <strong>George</strong> <strong>Eliot</strong>'s moral scale are permitted, after ouch" soul-search<strong>in</strong>g,<br />

to set aside <strong>the</strong> rules. And <strong>the</strong>y are qualified to do 30 because <strong>of</strong> <strong>the</strong>ir<br />

sensitivity towards o<strong>the</strong>rs and <strong>the</strong>ir capacity to empathise, to ignore<br />

<strong>the</strong>ir egoistic preoccupations and preferences <strong>in</strong> <strong>the</strong> service <strong>of</strong> o<strong>the</strong>rs.<br />

Doro<strong>the</strong>a, <strong>in</strong> Uiddlemarch, is a clear example <strong>of</strong> such a morally evolved<br />

character. She spends a night wrestl<strong>in</strong>g with her grief that Vfill is lost<br />

~ ~; t .<br />

to her for ever, not just because a marriage to him<br />

QuId be unsuitable<br />

<strong>in</strong> <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> world, but because his potentially adulterous relation-<br />

~hip<br />

with Rosamond Lydgate removes him from her respect and tarnishes his<br />

"brightness;t 63 She f<strong>in</strong>ally silences her own clammer<strong>in</strong>g needs and asks<br />

herself <strong>the</strong> question: '''What should I dr)-:...how should I act nov1" this·<br />

very day, if I could clutch my ovm pa<strong>in</strong>~<br />

and compel it to silence, and<br />

th<strong>in</strong>k <strong>of</strong> those three?'" 64 And <strong>the</strong> answer she <strong>of</strong>fers herself, :ilends her<br />

aga<strong>in</strong> to uuddlemarch, to Rosamond, to<br />

once more to represent to her<br />

<strong>the</strong> truth <strong>of</strong> Lyclgate t s <strong>in</strong>volvement with Bulstrode and. Raffles. <strong>George</strong><br />

<strong>Eliot</strong> not only allows her, however temporexily, to stock.Rosamond (made<br />

vulnerable by Will's fierCe denunciation on <strong>the</strong> previous day) out <strong>of</strong> her<br />

egoistic narrowness so that she generously admits that it is Doro<strong>the</strong>a<br />

whom Will loves. She also Dermits Doro<strong>the</strong>a to take arc unusual and un-

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