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A study of characterisation in the novels of George Eliot

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188.<br />

<strong>of</strong> more recent psychological <strong>the</strong>ories <strong>of</strong> <strong>in</strong>divic1uation (-lung), selfactualisation<br />

(Maslow), or learn<strong>in</strong>g to be free (Carl Rogers), this<br />

statement <strong>of</strong> <strong>George</strong> <strong>Eliot</strong> could serve as a warn<strong>in</strong>g aga<strong>in</strong>st.loss <strong>of</strong> autonom;y<br />

and a submergence <strong>in</strong> <strong>the</strong> banal. Greatness <strong>in</strong> <strong>the</strong>se terms is not <strong>the</strong><br />

achiev<strong>in</strong>g <strong>of</strong> fame or notoriety but is def<strong>in</strong>ed as a capacity to keep on<br />

striv<strong>in</strong>g (<strong>in</strong> <strong>the</strong> Goe<strong>the</strong>an sense celebrated <strong>in</strong> <strong>the</strong> character <strong>of</strong> Faust).<br />

It expresses <strong>the</strong> refusal to be at <strong>the</strong> beck and call <strong>of</strong> countless small<br />

and trivial circumstances, <strong>the</strong> refusal to accept anonymity and mediocrity.<br />

But such an apo<strong>the</strong>osis <strong>of</strong> psychic strength, <strong>of</strong> <strong>the</strong> separate <strong>in</strong>dividuality<br />

<strong>of</strong> her characters is not for Geo~gg<br />

<strong>Eliot</strong>. Calv<strong>in</strong> Bedient suggests someth<strong>in</strong>g<br />

<strong>of</strong> <strong>the</strong> sort when he says that "it ,vas <strong>in</strong> morality that <strong>George</strong> <strong>Eliot</strong><br />

believed; (gf life itsei!J <strong>in</strong> <strong>the</strong> sense <strong>of</strong> spontaneous self-expression<br />

she was shudder<strong>in</strong>gly skeptical." 57 rfe are left regrett<strong>in</strong>g, <strong>the</strong>refore,<br />

that <strong>the</strong> possibilities she <strong>of</strong>fers us <strong>of</strong> selfhood are so one-sided and<br />

reductionist. Service, subwission, duty; <strong>the</strong>se are <strong>the</strong> watchwords <strong>of</strong> her<br />

<strong>novels</strong>. The self is def<strong>in</strong>ed and revealed to us only through relationship;<br />

identity as identity is morally suspect and <strong>the</strong>refore <strong>the</strong> <strong>novels</strong> conta<strong>in</strong><br />

no situations which lead to <strong>the</strong> glorification <strong>of</strong> <strong>in</strong>dividuality for its<br />

ovm sake. The k<strong>in</strong>d <strong>of</strong> moral absolute discussed <strong>in</strong> <strong>the</strong> chapter on moral<br />

development operates strongly here.<br />

<strong>George</strong> <strong>Eliot</strong>'s conception <strong>of</strong> <strong>the</strong> self is undeniably authoritarian.<br />

She allows her characters only a limited range <strong>of</strong> possibilities, and<br />

exarts <strong>in</strong>flexible control over <strong>the</strong>ir freedom to do anyth<strong>in</strong>g orig<strong>in</strong>al.<br />

Her "struggl<strong>in</strong>g err<strong>in</strong>g human be<strong>in</strong>gs" 58 are oonstra<strong>in</strong>ed by a moral<br />

absolute. In addition, <strong>the</strong>y have to submit to <strong>the</strong> <strong>in</strong>exorable laws, <strong>the</strong><br />

"hard non-moral outward condi tiona. II 59 What effect do such preoccupations<br />

have on <strong>George</strong> <strong>Eliot</strong>t s narrative technique? Let us now discuss <strong>the</strong><br />

"b<strong>in</strong>ocular vision" 60 which results from <strong>George</strong> <strong>Eliot</strong> t s need to show both<br />

<strong>the</strong> <strong>in</strong>dividual characters and <strong>the</strong> <strong>in</strong>exorable forces ranged aga<strong>in</strong>st <strong>the</strong>m.

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