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A study of characterisation in the novels of George Eliot

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139.<br />

tire area <strong>of</strong> Europe. Genius, he held, is necessarily <strong>in</strong>tolerant <strong>of</strong><br />

fetters: on <strong>the</strong> one hand it must have <strong>the</strong> utmost play for its spontaneity;<br />

on <strong>the</strong> o<strong>the</strong>r, it may confidently await those messages from<br />

<strong>the</strong> universe which summon it to its peculiar work, only plac<strong>in</strong>g itself<br />

<strong>in</strong> an attitude <strong>of</strong> receptivity towards all sublime chances. The attitudes<br />

27<br />

<strong>of</strong> reoeptivity are various, and Will had s<strong>in</strong>cerely tried many <strong>of</strong> <strong>the</strong>m. II<br />

His state <strong>of</strong> m<strong>in</strong>d is made very clear to us from various conversations<br />

vnth Doro<strong>the</strong>a, such as <strong>the</strong> follow<strong>in</strong>g where he expounds his Shelleyan<br />

def<strong>in</strong>ition <strong>of</strong> a poet and says to her that "'to be a poet is to have a<br />

soul so quick to discern that no shade <strong>of</strong> quality escapes it, and so<br />

quick to feel, that . discernment is but a hand play<strong>in</strong>g ,'nth f<strong>in</strong>elyordered<br />

variety on <strong>the</strong> chords <strong>of</strong> emotion--a soul <strong>in</strong> which knowledge<br />

passes <strong>in</strong>stantaneously <strong>in</strong>to feel<strong>in</strong>g, and feel<strong>in</strong>g fLashes back as a new<br />

organ <strong>of</strong> knowledge. II 28 Doro<strong>the</strong>a responds with a gently prosaio but<br />

salutary rem<strong>in</strong>der that he leaves out <strong>the</strong> poems. "'I th<strong>in</strong>k,'" she says<br />

lI'that <strong>the</strong>y are wanted to complete <strong>the</strong> poet.' II 29 Here'is a case where<br />

Doro<strong>the</strong>a could well reproach him for his Vlant <strong>of</strong> "a sturdy neutral delight<br />

<strong>in</strong> th<strong>in</strong>gs as <strong>the</strong>y Care]." 30<br />

Under <strong>the</strong> <strong>in</strong>fluence <strong>of</strong> Doro<strong>the</strong>a and his desire to stand well <strong>in</strong> her<br />

eyes, Will first takes <strong>the</strong> <strong>in</strong>dependent step <strong>of</strong> refUs<strong>in</strong>g Mr Casaubon's<br />

allowanoe, <strong>the</strong>n takes an <strong>in</strong>terest <strong>in</strong> political journalism and ultimately<br />

sets out for London, to eat his d<strong>in</strong>ners as a barrister <strong>in</strong> "preparation<br />

for all public bus<strong>in</strong>ess. II 31 And <strong>the</strong> fact that we are told <strong>in</strong> <strong>the</strong> F<strong>in</strong>ale<br />

that tr\![ill became an ardent publio man" who was "at last returned to<br />

Parliament," 32 shows that he did <strong>in</strong>deed carry out his <strong>in</strong>tentions.<br />

I will not consider here his suitability as a second husband for<br />

Doro<strong>the</strong>a or how far critical objections towards him belong <strong>in</strong> <strong>the</strong> category<br />

<strong>of</strong> compla<strong>in</strong>ts about his long hair and tillconventional habits, for<br />

example, that <strong>of</strong> ly<strong>in</strong>g, stretched out full-length on hearth rugs; com-

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