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A study of characterisation in the novels of George Eliot

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170.<br />

that base l<strong>in</strong>e and <strong>the</strong> height <strong>of</strong> <strong>the</strong> triangle are determ<strong>in</strong>ed by complex<br />

responses to <strong>the</strong> circumstances <strong>of</strong> life. A fragmented, atomistic "bundle"<br />

cannot constitute a central core <strong>of</strong> ego, a "persistent self" which is<br />

accountable and responsible for decisions and choices. The all-important<br />

possibility r<strong>of</strong> moral growth is dependent on our hav<strong>in</strong>g a oentral core <strong>of</strong><br />

personality.<br />

Hans Meyerh<strong>of</strong>f, discuss<strong>in</strong>g <strong>the</strong> literary implications <strong>of</strong> such a<br />

view <strong>of</strong> <strong>the</strong> self, states that<br />

Man is shown not only as a repository <strong>of</strong> perceptions and memories,<br />

but also and predom<strong>in</strong>antly as a centre <strong>of</strong> active, 5elfregulative<br />

functions. And it is <strong>the</strong>se functions that ser~o<br />

convey to <strong>the</strong> person himself and to <strong>the</strong> reader that a certa<strong>in</strong><br />

bundle <strong>of</strong> different experiences exhibits <strong>the</strong> quality <strong>of</strong> structure<br />

and unity which enables us to say that <strong>the</strong>y belong to <strong>the</strong><br />

same person. Similarly, <strong>the</strong> awareness <strong>of</strong> cont<strong>in</strong>uity as an essent:1al<br />

<strong>in</strong>gredient <strong>of</strong> selfhood is <strong>in</strong>variably part <strong>of</strong> <strong>the</strong> literary<br />

portrait. In this connection, <strong>the</strong> <strong>in</strong>timate, reciprocal relationship<br />

between time and <strong>the</strong> self becomes most manifest; for <strong>the</strong><br />

awareness <strong>of</strong> cont<strong>in</strong>uity vdth<strong>in</strong> <strong>the</strong> self is correlative with <strong>the</strong><br />

aspect <strong>of</strong> cont<strong>in</strong>uity or duration <strong>in</strong> time. 12<br />

Meyerh<strong>of</strong>f <strong>in</strong>troduces <strong>the</strong> concepts <strong>of</strong> past and memory to show <strong>the</strong> important<br />

part <strong>the</strong>y play <strong>in</strong> our awareness <strong>of</strong> our own identity. Emphasis .. on<br />

<strong>the</strong> importance <strong>of</strong> <strong>the</strong> past becomes a significant <strong>the</strong>me <strong>in</strong> <strong>George</strong> <strong>Eliot</strong>'s<br />

<strong>novels</strong> and reveals very clearly <strong>the</strong> close resemblance <strong>of</strong> her ideas to<br />

Word&worth I s. In her "Bro<strong>the</strong>r and Sister Sonnets II ,<br />

she appears to utilisematerialfromherOlID<br />

past excluded from <strong>the</strong> strongly autobiographical<br />

~ ~.2!!. ~ Floss. She spee1rs<br />

explicitly about <strong>the</strong> <strong>in</strong>tegrative<br />

nature <strong>of</strong> past experiences which! (as <strong>in</strong> Wordsworth,) derive predom<strong>in</strong>-<br />

. !<br />

§ntly from natural landscapes.<br />

The vade-arched bridge, <strong>the</strong> scented elder-flowers,<br />

The wondrous watery r<strong>in</strong>gs that died too soon,<br />

The echoes <strong>of</strong> <strong>the</strong> quarry, <strong>the</strong> still hours<br />

With white robe sweep<strong>in</strong>g-on <strong>the</strong> shadeless noon,<br />

Vlere but It\Y grow<strong>in</strong>g self, are part <strong>of</strong> me,<br />

My present past, my root <strong>of</strong> piety. 13<br />

A similar sentiment is described <strong>in</strong> The Millon <strong>the</strong> Floss after<br />

~---;;;..;;;.=;;..<br />

Tom's and l~ggie's<br />

contented and successful fish<strong>in</strong>g expedition. Specific

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