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A study of characterisation in the novels of George Eliot

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192.<br />

conceit <strong>of</strong> means whereby sequences may be compelled ••• precipitates<br />

<strong>the</strong> mistaken soul on destruction?tt 1<br />

Gwendolen's determ<strong>in</strong>ation to be free <strong>of</strong> <strong>the</strong> petty restra<strong>in</strong>ts that<br />

b<strong>in</strong>d <strong>the</strong> people she sees about her is frequently presented to us with<strong>in</strong><br />

<strong>the</strong> ironic frame <strong>of</strong> her general ignorance <strong>of</strong> <strong>the</strong> world and its conditions,<br />

as <strong>in</strong> <strong>the</strong> follow<strong>in</strong>g comment <strong>of</strong> her conception <strong>of</strong> <strong>the</strong> marriage state. ''For<br />

what could not a woman do when she was married, if she knew how to assert<br />

herself? Here all was construotive imag<strong>in</strong>ation. Gwendolen had about as<br />

acourate a conception <strong>of</strong> marriage--that is to say, <strong>of</strong> <strong>the</strong> mutual <strong>in</strong>fluences,<br />

demands, duties <strong>of</strong> man and woman <strong>in</strong> <strong>the</strong> state <strong>of</strong> matrimo~--<br />

2<br />

as she had <strong>of</strong> magnetic currents and <strong>the</strong> law <strong>of</strong> storms. tl<br />

As Gwendolen' s moral education progresses her "ignorance <strong>of</strong> <strong>the</strong> true<br />

bond between events tl and her "false conceit <strong>of</strong> means whereby sequences<br />

may be oompelled" are presented less ironically. Her mistaken belief that<br />

<strong>the</strong> world is ordered for her convenience is still contrasted with <strong>the</strong><br />

actuality <strong>of</strong> a world governed by universal laws; <strong>the</strong>re is thf;} same metaphoric<br />

frame,)but her suffer<strong>in</strong>gs now call forth <strong>the</strong> compassion <strong>of</strong> her<br />

creator. For <strong>in</strong>stance, <strong>the</strong> f<strong>in</strong>al description <strong>of</strong> her distress when she<br />

realises she has lost Deronda, that <strong>the</strong>y <strong>in</strong>habit totally different<br />

mental spaces, is couched <strong>in</strong> terms which emphasise <strong>the</strong> pathos <strong>of</strong> her<br />

ignorance. Her: sense <strong>of</strong> loss is presented as an awareness <strong>of</strong> her own<br />

<strong>in</strong>significance and powerlessness and a correspond<strong>in</strong>g awareness <strong>of</strong> <strong>the</strong><br />

immensity <strong>of</strong> <strong>the</strong> world, which "seemed gett<strong>in</strong>g larger round poor<br />

Gwendolen, and she more solitary and helpless <strong>in</strong> t he midst •••• She was<br />

for <strong>the</strong> first time feel<strong>in</strong>g <strong>the</strong> ~S$ure <strong>of</strong> a vast mysterious movement,<br />

for <strong>the</strong> first time be<strong>in</strong>g dislodged from her supremacy <strong>in</strong> her own world,.<br />

and g.~tt<strong>in</strong>g<br />

a sense that her horiz on was but a dipp<strong>in</strong>g onwe.rd ot an.~ ex-<br />

, ,., .. ," ., '-<br />

istence With which her ownwasr§Jvoiv<strong>in</strong>g." 3 We need to reJ.l.!.6!1l1t~; .. £tP. earlier<br />

comment_$bout Gwendolen if ... wfJ f:lZ'e- to feel :tb~ full p§.tn.~s .... 9f'. tl:Q.s de-

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