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A study of characterisation in the novels of George Eliot

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68 ..<br />

that <strong>in</strong> <strong>the</strong> onward tendency <strong>of</strong> human tr~<strong>in</strong>gs<br />

have risen above <strong>the</strong>llental<br />

level <strong>of</strong> <strong>the</strong> generat:i!on before <strong>the</strong>m, to which <strong>the</strong>y have been never<strong>the</strong>less<br />

tied by <strong>the</strong> strongest fibres <strong>of</strong> <strong>the</strong>ir hearts .. II 49 Vie may doubt wr.e<strong>the</strong>r<br />

<strong>George</strong> <strong>Eliot</strong> has succeeded <strong>in</strong> w<strong>in</strong>n<strong>in</strong>g our sympathy for Tom or even whe<strong>the</strong>r<br />

he has risen "above <strong>the</strong> mental level <strong>of</strong> <strong>the</strong> generation tl before him, but<br />

we have no difficulty <strong>in</strong> accept<strong>in</strong>g her assessment <strong>of</strong> Maggiets situation.<br />

Earlier she has told us that it is "no wonder, when <strong>the</strong>re is this contrast<br />

between <strong>the</strong> outward and <strong>the</strong> <strong>in</strong>ward, that pa<strong>in</strong>ful collisions come <strong>of</strong> it." 50<br />

And <strong>the</strong> pa<strong>in</strong>ful collisions reach <strong>the</strong>ir climax <strong>in</strong> Maggie's return to St<br />

Ogg's. The community judges her an outcast and rejects her; she has refused<br />

to concede to its standards. As a child she felt that <strong>the</strong> only way<br />

to escape opprobrium was to run away to <strong>the</strong> gypsies; <strong>the</strong>re is no such<br />

solution now. She faces a life-time <strong>of</strong> penitential efforts to be re<strong>in</strong>stated<br />

with <strong>the</strong> whole <strong>of</strong> her world and especially with Tom. However, <strong>the</strong><br />

flood and <strong>the</strong> reunion with Tom dispose <strong>of</strong> her so that <strong>in</strong>stead <strong>of</strong> liv<strong>in</strong>g<br />

a life "without opium ll 51<br />

she succumbs, as Barbara Hardy has po<strong>in</strong>ted<br />

out, 52 to a familiar childnood fantasy. By perform<strong>in</strong>g deeds pi' heroism,<br />

she w<strong>in</strong>s respect and admiration.<br />

<strong>George</strong> <strong>Eliot</strong> has shown <strong>the</strong> impossibility <strong>of</strong> Maggie's ever adapt<strong>in</strong>g<br />

to her environment and even if we are diverted from a full-scale tragedy<br />

by <strong>the</strong> apo<strong>the</strong>osis <strong>of</strong> <strong>the</strong> end<strong>in</strong>g, we tend to believe <strong>George</strong> <strong>Eliot</strong> that,<br />

given her nature and <strong>the</strong> conditions <strong>of</strong> her environment, Maggie did not<br />

have a great deal <strong>of</strong> choice. But <strong>George</strong> <strong>Eliot</strong> herself, an <strong>in</strong>telligent,<br />

rebellious girl,with an equally oppressive, self-richteous bro<strong>the</strong>r,<br />

found an alternative means <strong>of</strong> adaptation. It is quite <strong>in</strong>forIn.:')tive to<br />

consider <strong>the</strong> possibilities confronted by Maggie <strong>in</strong> <strong>the</strong> light <strong>of</strong> <strong>the</strong><br />

adaptive possibilities outl<strong>in</strong>ed by Morris G<strong>in</strong>sberg <strong>in</strong> his typology <strong>of</strong><br />

evolution.

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