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A study of characterisation in the novels of George Eliot

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60.<br />

<strong>in</strong>troduced <strong>in</strong>to <strong>the</strong> novel and do not detract from her ma<strong>in</strong> preoccupation,<br />

<strong>the</strong> treatment <strong>of</strong> <strong>in</strong>dividual lots. <strong>George</strong> <strong>Eliot</strong> picks up <strong>the</strong> same web<br />

image as an analogue to <strong>the</strong> novel <strong>in</strong> <strong>the</strong> F<strong>in</strong>ale when she warns us that<br />

"<strong>the</strong> fragment <strong>of</strong> a life, however typical, is not <strong>the</strong> sample <strong>of</strong> an even<br />

web. II 7<br />

If <strong>George</strong> <strong>Eliot</strong> has <strong>the</strong> sense that, <strong>in</strong> v.rrit<strong>in</strong>e; a novel, she is unravell<strong>in</strong>g<br />

a complex web, we will scarcely be surprised to discover that<br />

her method <strong>of</strong> present<strong>in</strong>g character ShOV1S a similar awareness <strong>of</strong> complexity.<br />

As early as ~ ~ ~ ~ Floss, which, as I have <strong>in</strong>dicated,<br />

provides us with <strong>the</strong> first example <strong>of</strong> her "ecological II 8 or "organicist It 9<br />

approach to character, <strong>George</strong> <strong>Eliot</strong> dismisses <strong>the</strong> notion that out fate<br />

is dependent only on our character. ''You have knol'm Maggie a long while, II<br />

she tells us, II and need to be told, not her characteristics, but her<br />

history, which is a th<strong>in</strong>g hardly to be predicted even from <strong>the</strong> completest<br />

knowledge <strong>of</strong> her characteristics. For <strong>the</strong> tragedy <strong>of</strong> our lives is not<br />

created entirely from with<strong>in</strong>. tCharacter,~"says<br />

questionable aphorisms, tcharacter is dest<strong>in</strong>y. t<br />

Novalis, <strong>in</strong> one <strong>of</strong> his<br />

But not <strong>the</strong> whole <strong>of</strong><br />

our dest<strong>in</strong>y. II 10 And to emphasise this po<strong>in</strong>t more fully <strong>George</strong> <strong>Eliot</strong><br />

provides us with a different set <strong>of</strong> circumstances for <strong>the</strong> play Hamlet<br />

and a different possible end<strong>in</strong>g.<br />

Hamlet, Pr<strong>in</strong>ce <strong>of</strong> Denmark, was speculative and irresolute, and<br />

we have a great tragedy <strong>in</strong> consequence. But if his fa<strong>the</strong>r had<br />

lived to a good old age, and his uncle had died an early de~l,th,<br />

we can conceive Hamletts hav<strong>in</strong>g married Ophelia, and got through<br />

life with a reputation <strong>of</strong> sanity, not~~thstand<strong>in</strong>g many soliloquies,<br />

and some moody sarcasms towards <strong>the</strong> fair daughter <strong>of</strong> Polonius, to<br />

say noth<strong>in</strong>g <strong>of</strong> <strong>the</strong> frankest <strong>in</strong>civility to his fa<strong>the</strong>r-<strong>in</strong>-law. 11<br />

Different circumstances produce different effects and no-one can<br />

entirely esca~ from <strong>the</strong> pressure <strong>of</strong> ~cternal<br />

conditions. In <strong>the</strong> conclud<strong>in</strong>g<br />

section <strong>of</strong> Middlemarch, <strong>George</strong> <strong>Eliot</strong> says <strong>of</strong> Doro<strong>the</strong>a that<br />

II<strong>the</strong>re is no creature whose <strong>in</strong>ward be<strong>in</strong>g is so strong that it is not<br />

greatly determ<strong>in</strong>ed by what lies out~ide<br />

it." 12 Doro<strong>the</strong>a., she ~tJuggests,

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