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A study of characterisation in the novels of George Eliot

A study of characterisation in the novels of George Eliot

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1411-.<br />

ological novel concealed with<strong>in</strong> a less brilliant and <strong>in</strong>tr<strong>in</strong>sically less<br />

<strong>in</strong>t ere stiIlB novel is'one th<strong>in</strong>g; a novel seriously flawed because <strong>the</strong> two<br />

ma<strong>in</strong> sections are only arbitrarily relatect,. is ano<strong>the</strong>r.<br />

An exam<strong>in</strong>ation <strong>of</strong> Daniel Deronda <strong>in</strong> <strong>the</strong> light <strong>of</strong> this <strong>the</strong>me <strong>of</strong> duty<br />

as an <strong>in</strong>dication <strong>of</strong> moral stand<strong>in</strong>g and possible moral grmvth shows more<br />

clearly <strong>the</strong> connection between <strong>the</strong> two sections and <strong>the</strong> very careful<br />

structural pattern<strong>in</strong>g that <strong>George</strong> <strong>Eliot</strong> <strong>in</strong>tended. This can be s~med up<br />

<strong>in</strong> one <strong>of</strong> her authorial statements that "many <strong>of</strong> us compla<strong>in</strong> that half<br />

our birthright is sharp duty: Deronda Vias more <strong>in</strong>cl<strong>in</strong>ed to compla<strong>in</strong> that<br />

he was robbed <strong>of</strong> this half." 47<br />

This gives a rough sketch, an outl<strong>in</strong>e only, <strong>of</strong> one <strong>the</strong>me <strong>of</strong> <strong>the</strong> book.<br />

Gwendolen is contrasted with Deronda. She seeks to master her own life,<br />

to take <strong>the</strong> re<strong>in</strong>s and ride skilfully. She acknowledges but scantily any<br />

claims upon her, but cares very greatly about <strong>the</strong> fulfilment <strong>of</strong> her<br />

claims on <strong>the</strong> world. Deronda, on <strong>the</strong> o<strong>the</strong>r hand, is reverently look<strong>in</strong>g<br />

for li<strong>the</strong> complete ideal shape <strong>of</strong> that personal duty and citizenship<br />

which lay <strong>in</strong> his own thought like sculptured fragments certify<strong>in</strong>g some<br />

beauty yearned after but not traceable by div<strong>in</strong>ation.tI<br />

48<br />

For both characters <strong>the</strong>re arises <strong>the</strong> question <strong>of</strong> identity; each has<br />

to discover 'who he or she is. Gwendolen is described as hav<strong>in</strong>g no real<br />

root to her past; she has not lived long enough ~n any one place to have<br />

formed a last<strong>in</strong>g attachment to it. She feels stifled by her family situation.<br />

She is determ<strong>in</strong>ed that "she [!dlfl no longer be sacrificed to<br />

creatures worth less than herself, II 49 which undoubtedly refers to <strong>the</strong><br />

four II superfluous " sisters, 50 although <strong>the</strong> degree to which she actually<br />

has sacrificed herself to <strong>the</strong>m is left very much <strong>in</strong> <strong>the</strong> air. All we do<br />

knOl'l is that <strong>the</strong> "strongest assertion she vias able to make <strong>of</strong> her <strong>in</strong>dividual<br />

claims was to leave out Alice's lessons (on <strong>the</strong> pr<strong>in</strong>ciple that<br />

Alice was more likely to excel <strong>in</strong> ignorance). II<br />

51 G-wendolen' s ambition)

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