A study of characterisation in the novels of George Eliot

21 i ..
the ;,ode where S.,.~ accidentally
sec of being
Glutched by ·'mola at only as th, escaped
)risoner and ,:;: him and Tito ..
.?iero does L~" best to avert her attelT ',,1 ['rom the. e.inting but had
shown a 11t1;.;';'; too muehanxiety in put t '1g "t,he skate, out of her ,
had the very impression he t, prevent--th:;:t
there was re[·J.ly something unpleasant ,Jmetl'd.ng
o
Tito, in the:;,irculUstances out of which the
Fiero
di Cosima himself has no evidence f'or a:,,:; su.et} suppa: tion about
Later when she learns that Tito has her s trust a: all owad
the library to be dispersed, in the niolence of ._
rounds on him passionately and asks, 'It,lave you rob':
reaction S}'"f'~
somebody
who is ~ dead? Is that the rel.l.son you wear
tOld:f "had been driven to utter the wora.s as ':fi.E:::11 J?W:' ''fen to us!, the
lash of the
II
The word liar:. s that
anot7l'Y questioT15 are not
random rhe'>oribllt
lr ... nowledge. Yet it is we mow tr.
~s "Yes," that we pass ,va'!' the coincic )10,,,1 of 011
that accusatilJn. L 1; pm guess-work
on hel' autho:c s"
;0 believe th runs the
rest of the
01 to
ours, althOlJL she lesf. wall-informE:;d." '1""+' "(:~:.)
~~. ~.', 0>,. V
ataly we can that she ·"aI'l..ifests mue:! tr.~~3 Sc~,,;LJ
righteousnas ;:-1;11o.t th,,: character :)f
oertainly cor,r;s to sa this but that her initial
reject: Ti () s~: ",';uS from her ~hat he is out
so much in '~ ;f'athe:t.', a1':.d that