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A study of characterisation in the novels of George Eliot

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traces <strong>of</strong> Puritanism, and, as Ian Watt po<strong>in</strong>ts out, <strong>in</strong> common with o<strong>the</strong>r<br />

writers with a similar bent, she treats life as if it were a "moral<br />

cont<strong>in</strong>uum." 93 There is no decision <strong>in</strong> her <strong>novels</strong> that is not dealt with<br />

<strong>in</strong> moral terms. This has certa<strong>in</strong> consequences for <strong>the</strong> structure at <strong>the</strong><br />

<strong>novels</strong> which I will now consider. Moral actions and deoisions are<br />

placed along a f<strong>in</strong>ely oalibrated axis. This creates a hierarchical<br />

arrangement <strong>of</strong> oharacters acoord<strong>in</strong>g to <strong>the</strong>ir degree <strong>of</strong> moral awareness.<br />

In addition, <strong>the</strong>re are certa<strong>in</strong> recurr<strong>in</strong>g types at behaviour or response<br />

which constitute moral categories <strong>in</strong> <strong>the</strong> <strong>novels</strong> and become, <strong>in</strong> <strong>the</strong> end,<br />

a system <strong>of</strong> encoded messages to help <strong>the</strong> reader determ<strong>in</strong>e and place<br />

each oharacter accurately on this moral axis.<br />

In an~arlier<br />

chapter I set out <strong>George</strong> <strong>Eliot</strong>'s belief <strong>in</strong> <strong>the</strong> possibility<br />

<strong>of</strong> moral development. I related this to <strong>the</strong> beliefs <strong>of</strong> her contemporaries,<br />

all <strong>of</strong> whom shared <strong>the</strong> same anxiety that moral growth<br />

should take place aocord<strong>in</strong>g to general laws <strong>of</strong> human development. I also<br />

discussed <strong>the</strong> conoept <strong>of</strong> <strong>the</strong> moral sense and showed that it ~artook <strong>of</strong><br />

<strong>the</strong> feel<strong>in</strong>gs and <strong>of</strong> <strong>the</strong> <strong>in</strong>tellect. Sympathy is <strong>the</strong> affective component<br />

<strong>of</strong> <strong>the</strong> moral sense. A rational appreoiation <strong>of</strong> oneself and one's position<br />

<strong>in</strong> <strong>the</strong> world, a recognition <strong>of</strong> what laws need to be submitted to and<br />

what laws are modifiable, however gradually, are <strong>the</strong> cognitive components.<br />

Characters can be placed along an axis accord<strong>in</strong>g as <strong>the</strong>y manifest<br />

more or fewer <strong>of</strong> <strong>the</strong>se moral qualities. Thus, Doro<strong>the</strong>a, who score,a<br />

highly and is very morally sensitive, still fails at first <strong>in</strong> her ability<br />

to accept ano<strong>the</strong>r person' 5 selfhood .. It is not until she makes <strong>the</strong> most<br />

difficult moral step, <strong>the</strong> t'suspension <strong>of</strong> disbelief <strong>in</strong> <strong>the</strong> selfhood <strong>of</strong><br />

someone else," ~ that she is able to respond compassionately to her<br />

husband. Similarly, Deronda, whose exquisite moral sensibility is shown<br />

<strong>in</strong> his treatment <strong>of</strong> o<strong>the</strong>r people, might appear <strong>in</strong>itially to have very<br />

little progress to'make, yet he lacks a committed duty. Once we have

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