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A study of characterisation in the novels of George Eliot

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~lirect<strong>in</strong>G her irony at just <strong>the</strong> sort O~ cldn :;tation t.'at Spencer W·'.S auvocat<strong>in</strong>g.<br />

She cannot J<br />

however, escape her<br />

bias, and we cannot<br />

feel<strong>in</strong>c; that her Christi[m diabili ty is Irl:)ti vated<br />

less by <strong>the</strong> exibencies <strong>of</strong> <strong>the</strong> plot than by her need 0 show us th~,t he<br />

vrill not be ["ole to cont<strong>in</strong>ue this k<strong>in</strong>d)f<br />

He represen:::s a<br />

survival ethic which she totally repudL.tes.<br />

Itr Christian, "ilho h:'l.d been remar:able life for power<br />

<strong>of</strong> adapt<strong>in</strong>g himself to circur:\stv:1.C8S which en~·bles a man to fall<br />

safely on all-fours <strong>in</strong> <strong>the</strong> most >mrried ions and escapes,<br />

was not exempt f'rom bodily suf'fe:::'<strong>in</strong>c;--a circui:~stance to which<br />

<strong>the</strong>re is no knovm WHy <strong>of</strong> adapt<strong>in</strong>s one t 5 ':0 as to be perfectly<br />

comfortable under it, or to push it <strong>of</strong>f on to o<strong>the</strong>r people" s<br />

shoulders. 57<br />

The relationship <strong>of</strong> a oharacter to~he Cu"",; ... ",,,,,,, ...<br />

<strong>of</strong> his envil~onment<br />

and <strong>the</strong> difficulties he may have <strong>in</strong> adapt<strong>in</strong>g hio;,,,;elf successfully<br />

to that enviro:nment are treated <strong>the</strong>mati(~ally<br />

<strong>in</strong><br />

However, this relationship also prOvide: exte!lG.ed<br />

analogies <strong>in</strong> <strong>the</strong> <strong>novels</strong>. Interest<strong>in</strong>glY:1 thp rev:i,evl(~l"<br />

and ecological<br />

__ IIf· ____<br />

)f The Millo!1 <strong>the</strong><br />

~~ for <strong>the</strong> Exam<strong>in</strong>er, 181:0, was "SO a;-noyedl! at <strong>Eliot</strong> t S u.se <strong>of</strong><br />

'tscientii'ic term<strong>in</strong>ology" that he "even 1.en1:. so fnr a. +:0 accuse Lc-,1e5<br />

<strong>of</strong> <strong>in</strong>terpolat<strong>in</strong>g it." 58 Direct compari"ons W:1:''::::: act',iil animals ar:.i<br />

~pecific characters abo~~d <strong>in</strong> Mill .:1 <strong>the</strong> ~<br />

._- ----~--,..<br />

"';hat<br />

<strong>of</strong> <strong>the</strong> characterc: <strong>in</strong> <strong>the</strong> book<br />

teva Stump corl1nents<br />

Ok'<br />

',;:1. vn ·t~~~ sL e exceptior <strong>of</strong><br />

J)r Kenn, are characterised and developE';' <strong>in</strong> terms nimal images. t! 59<br />

~~ggie is an exuberant and p'.:, ,Y'1; she and ·'·Jnl toge<strong>the</strong>r 13::--e<br />

~)hetland<br />

ponies. The Dodson aunts and t',;e3 are e~~:li<br />

fl.'ulliver is <strong>the</strong> subject <strong>of</strong> a Chauceria!l:'able <strong>in</strong> <strong>the</strong><br />

ilHow a Hen ta,1ces to Stratagem" where he:: f'.1tile atteF<br />

for <strong>the</strong> mill are COffiT:Jrect \T1th t:n~<br />

entitled.<br />

s to diS8U8.,ie<br />

efforts <strong>of</strong> a hen<br />

·!to prevail on Hod""e not to v,-r<strong>in</strong>g her n; -k "' ....<br />

to market. II<br />

60<br />

o ....... .1' ..... ) vr..;.<br />

send hfT and her chicks<br />

Besides <strong>the</strong>se direct comparisons,<br />

Iere are 1 on:r, more important

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