A study of characterisation in the novels of George Eliot
A study of characterisation in the novels of George Eliot
A study of characterisation in the novels of George Eliot
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50 ..<br />
It is this very rigiCiity <strong>of</strong> habit :formation that is cause fo? CCrl-<br />
. corn, and-suggests <strong>the</strong> sort <strong>of</strong>' limitat:'Lon that J" •..<br />
sadly when he says that<br />
<strong>the</strong> doctr<strong>in</strong>e <strong>of</strong> what is called Philosophical ~\Jecessity weighed<br />
on my existence like an <strong>in</strong>cubus. I felt as I was scient:'..fically<br />
proved to be <strong>the</strong> helpless slave <strong>of</strong> antecedent circ~~stances;<br />
as if my character and that <strong>of</strong> all o<strong>the</strong>rs been formed for us<br />
by agencies beyond our control, and '.vas wholly out <strong>of</strong> our own<br />
power. I <strong>of</strong>ten said to myself, what a it would be if I<br />
could disbelieve <strong>the</strong> doctr<strong>in</strong>e <strong>of</strong> <strong>the</strong> formation <strong>of</strong> charact~ by<br />
circumstances .••• it would be a b:.f:ess<strong>in</strong>g if <strong>the</strong> doctr<strong>in</strong>e <strong>of</strong> necessity<br />
could be believed by all quoa~ <strong>the</strong> characters <strong>of</strong> o<strong>the</strong>rs and<br />
disbelieved <strong>in</strong> regard to <strong>the</strong>ir own. '9<br />
However, Mill's buoyancy returned and<br />
orge <strong>Eliot</strong>'s earlier <strong>novels</strong><br />
could almost be said to be~plor<strong>in</strong>g <strong>the</strong> implications <strong>of</strong> <strong>the</strong><br />
<strong>in</strong><br />
~ Szstem <strong>of</strong>' Logic, that Itwe are exactly as capCi.0le <strong>of</strong> mak<strong>in</strong>g our ovm<br />
character, if ~~, as o<strong>the</strong>rs are <strong>of</strong> maJr..<strong>in</strong>g it f'or us," 40 a remark<br />
which conta<strong>in</strong>s <strong>the</strong> same resonance as <strong>George</strong> <strong>Eliot</strong> t 13<br />
cOIllInent to Nfl'S<br />
Ponsonby about <strong>the</strong> need to "will strongly.<br />
Two characters from <strong>the</strong> early <strong>novels</strong> who clearly illustrate this<br />
capability <strong>of</strong> mak<strong>in</strong>g <strong>the</strong>ir ovm characters, however lli"vdtt<strong>in</strong>gly, are<br />
Arthur Donnithorne <strong>in</strong> B,$d,e, and THo Melema <strong>in</strong> RS:~lOlf-l" The technique<br />
which <strong>George</strong> <strong>Eliot</strong> adopts for sett<strong>in</strong>g <strong>the</strong>se characters before us,<br />
is to present <strong>the</strong>m with various moral<br />
aga<strong>in</strong>, whe<strong>the</strong>r to deny Baldassarre's<br />
CBS; whetl1er to see Hetty<br />
We are shown <strong>the</strong><br />
characters grappl<strong>in</strong>g with <strong>the</strong>ir o .... m conscious and unoonscious desires,<br />
<strong>the</strong>ir unstable resolutions, <strong>the</strong>ir self-deceits and .!:a;tionalisations .. All<br />
<strong>the</strong> time <strong>the</strong> authorial commentary is hammer<strong>in</strong>g home -co us <strong>the</strong> <strong>in</strong>escapable<br />
fact that "our deeds determ<strong>in</strong>e us, as much as we<br />
our deeds."<br />
The po<strong>in</strong>t <strong>George</strong> <strong>Eliot</strong> is mak<strong>in</strong>g so forcibly is ths,t we CalL'1ot 8.scape <strong>the</strong><br />
psychological pressure <strong>of</strong> our choices. Although ',ve<br />
escape <strong>the</strong> physical<br />
consequences, <strong>George</strong> <strong>Eliot</strong> does not allow this to happen to her<br />
C~ld"racters, thus lay<strong>in</strong>g herself o}?en to charges O~·l out a<br />
retributi ve justice or a "poetic justice 11<br />
saa.::..y out cf keep<strong>in</strong>g <strong>in</strong> such