26.12.2013 Views

A study of characterisation in the novels of George Eliot

A study of characterisation in the novels of George Eliot

A study of characterisation in the novels of George Eliot

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

226.<br />

remonstrate fur<strong>the</strong>r nor does she change <strong>the</strong> direction <strong>of</strong> her daily<br />

walk.<br />

The whole relationship with Stephen is characterised quite specifically<br />

by "drift<strong>in</strong>g, If 47 which suggests that Maggie is envelopp4:<strong>in</strong>.a··<br />

sensuous haze and is not <strong>in</strong> her more usual state <strong>of</strong> . olear' rEUU'.Ion"j:'biUty.<br />

She walks <strong>in</strong> <strong>the</strong> garden with him, she walks through <strong>the</strong> Conservatar,y and<br />

<strong>the</strong>n runs away mortified that he has kissed her arm. The quick comment<br />

is very reveal<strong>in</strong>g; "that momentary happ<strong>in</strong>ess had been smitten with a<br />

blight--a leprosy: Stephen thought more lightly <strong>of</strong> ~ than he did <strong>of</strong><br />

Lucy. If 48 There is no doubt that <strong>the</strong> wilful assertive Maggie <strong>of</strong> <strong>the</strong><br />

~ll~book has not been complete~ assimilated to <strong>the</strong> new quietistic<br />

llaggie. Fihal~ she drifts down <strong>the</strong> river with Stephen. This is an unconscious<br />

surrender<strong>in</strong>g <strong>of</strong> her will <strong>in</strong> comparison with <strong>the</strong> earlier deliberate<br />

submissiveness. But <strong>the</strong> f<strong>in</strong>al decision to walk out <strong>of</strong> <strong>the</strong> <strong>in</strong>n,<br />

leave Stephen, and return to St Oggt s, although it seems like an assertive<br />

action, is yet ano<strong>the</strong>r example <strong>of</strong> 'Maggie's habit <strong>of</strong> self-l'enunciation.<br />

To have decided to stay with Stephen would have meant discard<strong>in</strong>g this<br />

habitual response. It is only when he pleads his desperate unhapp<strong>in</strong>ess<br />

that she !Jlomentar11y wavers. In terms <strong>of</strong> her life history and her previous<br />

pattern <strong>of</strong> choices it would have been harder for her to stay with<br />

Stephen than it is for her to leave him because this habit <strong>of</strong> se1£'-<br />

renUnciation is now so firmly entrenched. Although outwardly she struggles<br />

aga<strong>in</strong>st <strong>the</strong> temptation <strong>of</strong> Stephen's marriage proposal, her walk<strong>in</strong>g out<br />

<strong>of</strong> <strong>the</strong> <strong>in</strong>n is really her tak<strong>in</strong>g <strong>the</strong> . l<strong>in</strong>e <strong>of</strong> least resistance. Because<br />

we commend <strong>the</strong> choice, we are asked to admire <strong>the</strong> moral courage <strong>of</strong> <strong>the</strong><br />

chooser. Maggie is meant to seem free and untrammelle4,,~&;pe~J.Y<br />

<strong>in</strong> this crucial f<strong>in</strong>al decision whioh reveals her moral superiority.<br />

Close analysis, however, reveals that she is as trapped <strong>in</strong> her habit <strong>of</strong><br />

self-renunciation as Tito Melema <strong>in</strong> his habit <strong>of</strong> fear. Her decision to

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!