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Untitled - University of New Orleans

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historical modes and styles <strong>of</strong> delivery and special vocal problems<br />

such as the actor-singer and the actor in chorus reading.<br />

FTCA 4300G Advanced Voice for the Actor<br />

3 cr.<br />

Prerequisite: FTCA 1300 or consent <strong>of</strong> department. Advanced work<br />

in vocal artistry for the actor. May be repeated once for credit.<br />

Attention is given to work in oral characterization ethnic dialects<br />

historical modes and styles <strong>of</strong> delivery and special vocal problems<br />

such as the actor-singer and the actor in chorus reading.<br />

FTCA 4301 Voice Stylization for Screen<br />

3 cr.<br />

Restricted course: consent <strong>of</strong> department. Practicum in the creation<br />

<strong>of</strong> stylized voice characterization for digital media. Students will<br />

apply characterizations to voiceover and lip-sync recording techniques<br />

for animation and television commercials. Two hours lecture<br />

and two hours lab.<br />

FTCA 4301G Voice Stylization for Screen<br />

3 cr.<br />

Restricted course: consent <strong>of</strong> department. Practicum in the creation<br />

<strong>of</strong> stylized voice characterization for digital media. Students will<br />

apply characterizations to voiceover and lip-sync recording techniques<br />

for animation and television commercials. Two hours lecture<br />

and two hours lab.<br />

FTCA 4330 Acting Styles<br />

3 cr.<br />

Prerequisite: FTCA 2330 or consent <strong>of</strong> department. Examination <strong>of</strong><br />

actor’s methods <strong>of</strong> characterization and script analysis applied to<br />

major styles <strong>of</strong> theatre. Content <strong>of</strong> course varies. May be repeated<br />

once for credit.<br />

FTCA 4330G Acting Styles<br />

3 cr.<br />

Prerequisite: FTCA 2330 or consent <strong>of</strong> department. Examination <strong>of</strong><br />

actor’s methods <strong>of</strong> characterization and script analysis applied to<br />

major styles <strong>of</strong> theatre. Content <strong>of</strong> course varies. May be repeated<br />

once for credit.<br />

FTCA 4333 Stage Combat for Theatre<br />

3 cr.<br />

Prerequisite: FTCA 1300. Performance class that allows the student<br />

to learn the fundamentals for hand-to-hand combat techniques.<br />

These techniques will be taught within an atmosphere <strong>of</strong> safety<br />

that is essential for the stage.<br />

FTCA 4333G Stage Combat for Theatre<br />

3 cr.<br />

Prerequisite: FTCA 1300. Performance class that allows the student<br />

to learn the fundamentals for hand-to-hand combat techniques.<br />

These techniques will be taught within an atmosphere <strong>of</strong> safety<br />

that is essential for the stage.<br />

FTCA 4335 Audition Techniques<br />

3 cr.<br />

Prerequisites: FTCA 2330 or consent <strong>of</strong> the department. The study<br />

<strong>of</strong> specific audition techniques for stage and screen performers.<br />

Emphasis on prepared monologues, cold readings, interviews, picture/resume,<br />

and performance contracts. Successful completion<br />

if this course satisfies the general degree requirement for oral<br />

competency.<br />

FTCA 4335G Audition Techniques<br />

3 cr.<br />

Prerequisites: FTCA 2330 or consent <strong>of</strong> the department. The study<br />

<strong>of</strong> specific audition techniques for stage and screen performers.<br />

Emphasis on prepared monologues, cold readings, interviews, picture/resume,<br />

and performance contracts. Successful completion<br />

if this course satisfies the general degree requirement for oral<br />

competency.<br />

FTCA 4380 Directing II Advanced<br />

3 cr.<br />

Prerequisite: FTCA 2380 or consent <strong>of</strong> department. Intensive study<br />

<strong>of</strong> director’s methods <strong>of</strong> rehearsal techniques, script analysis, casting<br />

and interpretation. Direction <strong>of</strong> scenes and/or one-act play.<br />

May be repeated once for credit.<br />

FTCA 4380G Directing II Advanced<br />

3 cr.<br />

Prerequisite: FTCA 2380 or consent <strong>of</strong> department. Intensive study<br />

<strong>of</strong> director’s methods <strong>of</strong> rehearsal techniques, script analysis, casting<br />

and interpretation. Direction <strong>of</strong> scenes and/or one-act play.<br />

May be repeated once for credit.<br />

FTCA 4400 Development <strong>of</strong> Theatre<br />

3 cr.<br />

A survey <strong>of</strong> theatre history with an emphasis on the Renaissance<br />

to the present.<br />

FTCA 4400G Development <strong>of</strong> Theatre<br />

3 cr.<br />

A survey <strong>of</strong> theatre history with an emphasis on the Renaissance<br />

to the present.<br />

FTCA 4450 Adv Studies <strong>of</strong> Modern Theatre<br />

3 cr.<br />

Consent <strong>of</strong> department required for non-drama majors. Intensive<br />

study <strong>of</strong> the pioneers <strong>of</strong> the modern stage, from Chekhov to Strindberg<br />

through Brecht. Emphasis on plays in performance.<br />

FTCA 4450G Adv Studies <strong>of</strong> Modern Theatre<br />

3 cr.<br />

Consent <strong>of</strong> department required for non-drama majors. Intensive<br />

study <strong>of</strong> the pioneers <strong>of</strong> the modern stage, from Chekhov to Strindberg<br />

through Brecht. Emphasis on plays in performance.<br />

FTCA 4455 Contemporary Theatre<br />

3 cr.<br />

Consent <strong>of</strong> department required for non-drama majors. Intensive<br />

study <strong>of</strong> the contemporary theatre, from Artaud and Beckett to the<br />

avant-garde stage.<br />

FTCA 4455G Contemporary Theatre<br />

3 cr.<br />

Consent <strong>of</strong> department required for non-drama majors. Intensive<br />

study <strong>of</strong> the contemporary theatre, from Artaud and Beckett to the<br />

avant-garde stage.<br />

FTCA 4460 Documentary Production<br />

3 cr.<br />

A study <strong>of</strong> the fundamentals <strong>of</strong> producing, directing, and writing<br />

for the documentary genre. Students develop an understanding <strong>of</strong><br />

the aesthetic dimensions <strong>of</strong> documentary production and enhance<br />

their craft through the use <strong>of</strong> film analysis, discussion, production<br />

assignments, and critiques.<br />

FTCA 4460G Documentary Production<br />

3 cr.<br />

A study <strong>of</strong> the fundamentals <strong>of</strong> producing, directing, and writing<br />

for the documentary genre. Students develop an understanding <strong>of</strong><br />

the aesthetic dimensions <strong>of</strong> documentary production and enhance<br />

their craft through the use <strong>of</strong> film analysis, discussion, production<br />

assignments, and critiques.<br />

FTCA 4500 Film Development & Planning<br />

3 cr.<br />

Prerequisite: FTCA 2510 or 2550 or consent <strong>of</strong> the department. Two<br />

hours lecture and two hours lab. Students develop original ideas<br />

for a short film from screenplay through preproduction planning.<br />

Required for FTCA 4530.<br />

FTCA 4500G Film Development & Planning<br />

3 cr.<br />

Prerequisite: FTCA 2510 or 2550 or consent <strong>of</strong> the department. Two<br />

hours lecture and two hours lab. Students develop original ideas<br />

for a short film from screenplay through preproduction planning.<br />

Required for FTCA 4530.<br />

FTCA 4510 Film Production<br />

3 cr.<br />

Prerequisites: FTCA 2510 or equivalent Pr<strong>of</strong>essional motion picture<br />

production. Advanced problems in double-system motion picture<br />

production techniques. Students direct pr<strong>of</strong>essional 16mm doublesystems<br />

motion pictures. Two hours lecture and two hours laboratory<br />

each week.<br />

FTCA 4510G Film Production<br />

3 cr.<br />

Prerequisites: FTCA 2510 or equivalent Pr<strong>of</strong>essional motion picture<br />

production. Advanced problems in double-system motion<br />

picture production techniques. Students direct pr<strong>of</strong>essional 16mm<br />

<strong>University</strong> <strong>of</strong> <strong>New</strong> <strong>Orleans</strong>/269

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