Research in Visual Arts Education - The National Society for ...
Research in Visual Arts Education - The National Society for ...
Research in Visual Arts Education - The National Society for ...
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MULTICULTURALISM AND ARTS-BASED RESEARCH<br />
vironment and another one looks at the epistemological foundations of artbased<br />
environmental education through ethnographically <strong>in</strong><strong>for</strong>med <strong>in</strong>quiry.<br />
Places <strong>in</strong> contemporary Estonian, Latvian and Lithuanian art are studied<br />
by one student. Environment and contemporary art are connected also <strong>in</strong><br />
a study about the environmental art of contemporary outsider artists. Art<br />
theoretical emphasis can be recognized <strong>in</strong> topics such as situat<strong>in</strong>g mean<strong>in</strong>gs<br />
of portraits, pa<strong>in</strong>t<strong>in</strong>g as a reflection of a worldview or an artist’s ideals. <strong>The</strong><br />
roles of a viewer <strong>in</strong> contemporary art exhibitions and family workshops<br />
are studied. One student wants to develop postmodern art <strong>in</strong> East Africa<br />
through the use of material culture. Postmodern break<strong>in</strong>g of boundaries<br />
cont<strong>in</strong>ues <strong>in</strong> studies about aesthetic preferences <strong>in</strong> design education and about<br />
the identities of craft teacher students. Bridges between arts and crafts are<br />
discussed <strong>in</strong> a study about artefacts as tools of be<strong>in</strong>g <strong>in</strong> the world. Also,<br />
curricula <strong>for</strong> design education and <strong>in</strong>ternational cooperation of vocational<br />
craft education are studied.<br />
Multicultural issues cont<strong>in</strong>ue to be the area of several studies <strong>in</strong> progress.<br />
A student from Turkey is ask<strong>in</strong>g how architectural plann<strong>in</strong>g of Hels<strong>in</strong>ki<br />
takes the cultural diversity of people’s everyday life and needs <strong>in</strong>to account.<br />
<strong>The</strong> mean<strong>in</strong>g of pre-def<strong>in</strong>ed <strong>for</strong>m as a tool <strong>for</strong> skill and character development<br />
<strong>in</strong> study<strong>in</strong>g traditional Japanese arts is studied from a F<strong>in</strong>nish perspective.<br />
In her case study, another F<strong>in</strong>nish woman studies the frontiers of<br />
her identities and differently signify<strong>in</strong>g aesthetic processes <strong>in</strong> Africa and<br />
F<strong>in</strong>land. One research project <strong>in</strong> progress is entitled “<strong>The</strong> significant other:<br />
postcolonial transgression”. Gender issues are focused on <strong>in</strong> a study about<br />
art education and boys. <strong>The</strong> taboos of sexual divergences <strong>in</strong> art education<br />
are approached <strong>in</strong> a comparative study of the themes of young people’s visual<br />
expression <strong>in</strong> F<strong>in</strong>land and Estonia. A doctoral student looks at mascul<strong>in</strong>ity<br />
<strong>in</strong> pa<strong>in</strong>t<strong>in</strong>g while another one focuses on fem<strong>in</strong><strong>in</strong>ity <strong>in</strong> women’s three-dimensional<br />
works.<br />
School practices seem to have a m<strong>in</strong>or role <strong>in</strong> the F<strong>in</strong>nish research <strong>in</strong><br />
art education <strong>in</strong> progress. Strategies <strong>for</strong> <strong>in</strong>tegration are approached through<br />
musical means <strong>in</strong> upper secondary school art education and dialogical <strong>for</strong>ms<br />
of <strong>in</strong>teraction <strong>in</strong> art learn<strong>in</strong>g <strong>in</strong> a folk high school are studied. <strong>The</strong> subject<br />
of one doctoral study is portfolio assessment at the comprehensive level.<br />
Obvious and explicit connections to school practices are evident <strong>in</strong> a historical<br />
study about the elementary school tra<strong>in</strong>ee teachers’ art education<br />
<strong>in</strong> the years 1900–1940, and <strong>in</strong> a thesis about an artist/teacher Aleksanteri<br />
Ahola-Valo. Autobiographical narratives and life history <strong>in</strong>terviews are used<br />
<strong>in</strong> a study about F<strong>in</strong>nish art teachers’ professional identity. Another study is<br />
focus<strong>in</strong>g on the art teachers’ conceptions of art.<br />
NORDIC VISUAL ARTS EDUCATION IN TRANSITION 107