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Research in Visual Arts Education - The National Society for ...

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MULTIFACETED APPROACH TO VISUAL ARTS EDUCATION<br />

If there is a cont<strong>in</strong>uous thread that runs through these research projects it is<br />

learn<strong>in</strong>g through the visual arts, not just about them. Art Camp <strong>in</strong> Art School<br />

builds on the objective to provide a greater number of primary school children<br />

the opportunity to acqua<strong>in</strong>t themselves with the studies and work<strong>in</strong>g<br />

environment characteristic of art school workshops. <strong>The</strong> research carried<br />

out with<strong>in</strong> the school is <strong>for</strong> the most part arts- or practice-based research.<br />

<strong>The</strong>se projects have been carefully documented and reported <strong>in</strong> an academic<br />

manner and as such they offer a valuable contribution to the discourse<br />

of <strong>in</strong>novative education where art practice has high esteem.<br />

<strong>The</strong> largest research undertak<strong>in</strong>g by RSVA so far is Project KNOWHOW<br />

(www.knowhow.is) which was <strong>in</strong>itiated by the school as a research project<br />

with the aim of document<strong>in</strong>g the nature of mak<strong>in</strong>g <strong>in</strong>tegrated learn<strong>in</strong>g<br />

and teach<strong>in</strong>g, and of shar<strong>in</strong>g this method with other practitioners <strong>in</strong> the<br />

field of education. Ethnographic research methods have been applied. <strong>The</strong><br />

research uses a multi-site case study method <strong>in</strong>volv<strong>in</strong>g tutors and students<br />

of ceramics departments <strong>in</strong> six European Art Institutes of Further and<br />

Higher <strong>Education</strong>. <strong>The</strong> research is designed to gather a range of perceptions<br />

on the learn<strong>in</strong>g, teach<strong>in</strong>g and mak<strong>in</strong>g <strong>in</strong>terface. <strong>The</strong> project undertakes an<br />

audit of methodologies to uncover knowledge about non-textual teach<strong>in</strong>g<br />

methods <strong>in</strong> art education. Practitioners with<strong>in</strong> the field of art and design<br />

education are often conv<strong>in</strong>ced of the importance of practical activity to the<br />

learn<strong>in</strong>g-experiences of their students, yet there is little documented analysis<br />

of the relationship between learn<strong>in</strong>g, teach<strong>in</strong>g and mak<strong>in</strong>g.<br />

Practice may be crucial <strong>in</strong> which understand<strong>in</strong>g is tested or <strong>in</strong> which<br />

commitment is affirmed, it’s the pivot po<strong>in</strong>t, one might argue, around which<br />

most of education revolves (Shulman, 2002). This research project hopes<br />

to articulate tacit understand<strong>in</strong>gs of learn<strong>in</strong>g and teach<strong>in</strong>g with<strong>in</strong> studio<br />

contexts.<br />

Look<strong>in</strong>g ahead – challenges<br />

As stated be<strong>for</strong>e, the role of research <strong>in</strong> art education needs to be emphasized<br />

more decisively <strong>in</strong> Iceland. Look<strong>in</strong>g ahead, the number of master’s thesis<br />

rooted <strong>in</strong> the field of art education, will <strong>in</strong>crease. Although these make up<br />

a substantial part of the Icelandic research <strong>in</strong> art education, the authors are<br />

mostly l<strong>in</strong>ked to the academic community (universities) dur<strong>in</strong>g their education.<br />

<strong>The</strong> need to establish a permanent research community or a <strong>for</strong>um<br />

<strong>for</strong> researchers <strong>in</strong> the field seems self-evident.<br />

122 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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