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Research in Visual Arts Education - The National Society for ...

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INTRODUCTION<br />

<strong>The</strong> present report had <strong>in</strong> its <strong>in</strong>ception the provisional title of “Nordic<br />

<strong>Research</strong> <strong>in</strong> <strong>Visual</strong> <strong>Arts</strong> <strong>Education</strong> Revisited”. In 1998, I edited an anthology<br />

called Nordic <strong>Visual</strong> <strong>Arts</strong> <strong>Research</strong>: A <strong>The</strong>oretical and Methodological Review 1 .<br />

In 2006, I <strong>in</strong>vited Associate Professor Helene Illeris, <strong>The</strong> Danish School of<br />

<strong>Education</strong>; Adjunct Professor Marjo Räsänen, University of Turku (F<strong>in</strong>land);<br />

and Professor Liv Merete Nielsen, Oslo University College (Norway), to jo<strong>in</strong><br />

me <strong>in</strong> identify<strong>in</strong>g and comment upon Nordic studies of visual arts education,<br />

published dur<strong>in</strong>g the last decade. In 2007, Assistant Professor Rósa<br />

Kristín Júlíusdóttir, University of Akureyri (Iceland), jo<strong>in</strong>ed the group.<br />

Doctoral student Anna Ekström helped me with logistics and edit<strong>in</strong>g.<br />

<strong>The</strong> need <strong>for</strong> an up-to-date knowledge base, with essays on national<br />

trends and profiles, was felt by all of us. Dur<strong>in</strong>g the review national differences<br />

appeared, which were unexpected to some of us. It was found that<br />

the vocabulary that each reviewer used to describe the visual arts education<br />

research and its development dur<strong>in</strong>g the last decade, varied from country<br />

to country. <strong>The</strong> F<strong>in</strong>nish report is characterized by an art discourse with<br />

a frequent use of expressions such as artistic, arts-based, multicultural and<br />

contemporary art.<br />

Artistic as a generic term is also quite common <strong>in</strong> the Swedish report;<br />

however, more specific references to the art world are absent. Some k<strong>in</strong>d<br />

of process (e.g. creative and/or learn<strong>in</strong>g process) is referred to both <strong>in</strong> the<br />

Swedish and the F<strong>in</strong>nish reports.<br />

An ef<strong>for</strong>t to def<strong>in</strong>e aesthetic learn<strong>in</strong>g is a salient feature of the Swedish<br />

discourse. <strong>The</strong> concept became central <strong>in</strong> Denmark <strong>in</strong> the 1990s and found<br />

its way to Sweden primarily by official reports advocat<strong>in</strong>g the <strong>in</strong>tegration of<br />

the visual arts and other aesthetic activities, <strong>in</strong> the general curriculum.<br />

<strong>Visual</strong> culture is a central concept <strong>in</strong> the Danish report, together with<br />

media and contemporary art. In the Norwegian report, design stands out as a<br />

key concept, supplemented with environmental participation. Environmental<br />

education is also a research focus at one of the major sites <strong>for</strong> teacher tra<strong>in</strong><strong>in</strong>g<br />

<strong>in</strong> F<strong>in</strong>land. As far as Iceland is concerned, research is spread over a broad<br />

range of topics, although most studies are <strong>in</strong> one way or another connected<br />

to curriculum issues.<br />

1<br />

L<strong>in</strong>dström, Lars (Ed.) (1998). Nordic visual arts research. A theoretical and methodological review. Stockholm<br />

Institute of <strong>Education</strong> (HLS Förlag). (Stockholm Library of Curriculum Studies, 2). See also: Keifer-Boyd,<br />

Karen (2003). A review essay: Nordic visual arts research. Studies <strong>in</strong> Art <strong>Education</strong>, 44 (2), 178-183.<br />

10 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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