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Research in Visual Arts Education - The National Society for ...

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INTRODUCTION<br />

Develop<strong>in</strong>g and cherish<strong>in</strong>g multiple visions of teach<strong>in</strong>g and learn<strong>in</strong>g <strong>in</strong> the arts is not a<br />

licence <strong>for</strong> idiosyncratic, unaccountable practice. We need a healthy cross-fertilization<br />

of ideas and vigorous critical debate with<strong>in</strong> and beyond the professional community of<br />

arts educators to avoid the very real threat of rejection or atrophy through the sheer<br />

irrelevance of too much current practice. 3<br />

Questions about teach<strong>in</strong>g and learn<strong>in</strong>g usually have a variety of possible<br />

answers, each of which is likely to harbour new questions. <strong>The</strong>y are typically<br />

oriented towards mak<strong>in</strong>g good decisions <strong>in</strong> complex real-life situations<br />

rather than verify<strong>in</strong>g universally true statements. <strong>The</strong> practical and contextual<br />

character of visual arts education justifies a rational weigh<strong>in</strong>g-up<br />

of the pros and cons of various positions, rather than search<strong>in</strong>g <strong>for</strong> the one<br />

superior approach.<br />

Lars L<strong>in</strong>dström<br />

Professor<br />

Stockholm University, Sweden<br />

3 Steers, 2007. <strong>The</strong> ever-expand<strong>in</strong>g art curriculum, p. 151.<br />

12 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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