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Research in Visual Arts Education - The National Society for ...

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ART, DESIGN AND ENVIRONMENTAL PARTICIPATION<br />

As mentioned earlier, the University of Bergen opened up their doctoral<br />

programme <strong>for</strong> practitioners <strong>in</strong> art and design education with the public<br />

defence by Jorunn Spord Borgen <strong>in</strong> 1998. Later, N<strong>in</strong>a Scott Frisch was accepted<br />

at the doctoral programme at NTNU (Norwegian University of Science<br />

and Technology <strong>in</strong> Trondheim) on the base of her M.A. <strong>in</strong> art and design<br />

education from HiO. Frisch is expected to f<strong>in</strong>ish her thesis on children’s<br />

strategy <strong>for</strong> draw<strong>in</strong>g through the so-called “draw<strong>in</strong>g crisis” <strong>in</strong> 2009. On the<br />

same base Bjørg Tronshart has taken part of the doctoral programme <strong>in</strong><br />

Vasa, F<strong>in</strong>land. Her research topic is exhibition <strong>in</strong> a rhetoric perspective. Five<br />

more candidatetes with a base as practitioners <strong>in</strong> art and design education<br />

have dur<strong>in</strong>g the last few years received grants <strong>for</strong> doctoral studies. Anniken<br />

Randers-Pehrson, Kirst<strong>in</strong>e Wi<strong>in</strong>gaard Thrane, Birthe Brekketo, Torunn<br />

Paulsen Dagsland and Lisbet Skregeli are connected to doctoral programmes<br />

at the Universities of Oslo, Stavanger and Agder.<br />

<strong>Research</strong> topics<br />

It is difficult to del<strong>in</strong>eate specific trends <strong>in</strong> the selection of topics <strong>in</strong> the<br />

doctoral theses, books, book-chapters, articles and reports published over<br />

the last years. Regard<strong>in</strong>g the doctoral theses <strong>in</strong> art and design education, the<br />

focus <strong>for</strong> research has taken its po<strong>in</strong>t of departure <strong>in</strong> either material and<br />

functional experimentation, historical documents, studies of educational<br />

practises or theory. Methodological approaches are chosen to match each<br />

research project; it may be based <strong>in</strong> text, observations, <strong>in</strong>terviews, narrations<br />

or action research – used as a base <strong>for</strong> deconstruction, discourse analysis or<br />

critical studies. Methods are carefully chosen tools – they are seldom goals<br />

<strong>in</strong> themselves.<br />

Material and functional experimentation and analyses <strong>for</strong> educational<br />

contexts have from time to time been a popular choice at the M.A. level, but<br />

not so often <strong>in</strong> the recent ten years. A historical background is also given<br />

<strong>in</strong> the status questionis <strong>in</strong> almost all theses, but Ste<strong>in</strong>ar Kjosavik (1998) and<br />

Bjørn Magne Aakre (2005) have a ma<strong>in</strong> focus on analys<strong>in</strong>g historical curricula<br />

and the political documents prior to them. Studies of educational practices<br />

and outcomes of art and design processes are an often chosen po<strong>in</strong>t<br />

of departure <strong>for</strong> doctoral theses with<strong>in</strong> the mak<strong>in</strong>g professions. This is also<br />

often the case <strong>for</strong> researchers with a base <strong>in</strong> the traditional university discipl<strong>in</strong>es.<br />

Among the doctoral projects <strong>in</strong> progress, a majority of the studies<br />

<strong>in</strong>volve some k<strong>in</strong>d of analyses of artefacts and educational practises. <strong>The</strong>y<br />

are analysed <strong>in</strong> relation to different theories and discussed <strong>in</strong> an epistemological<br />

context.<br />

136 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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