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Research in Visual Arts Education - The National Society for ...

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FROM PSYCHOLOGY TO SEMIOTICS<br />

Swedish Studies and Curricula until 1994<br />

Lars L<strong>in</strong>dström<br />

Introduction<br />

More than other subjects, art education <strong>in</strong> Sweden has experienced farreach<strong>in</strong>g<br />

changes and con flicts. <strong>The</strong> discourse has gone through a series of<br />

pa ra digm shifts. Th<strong>in</strong>gs that once were regarded as the core of the subject<br />

have been relegated to the edge of it or have been erased completely. More<br />

than once, patterns of thought, aims, subject matter, and meth ods have been<br />

radically trans<strong>for</strong>med. This is true not only of educational philosophies but<br />

of ap proa ches to art educational research as well. Never theless, a spirit of<br />

cont<strong>in</strong>uity, with frag ments of different and often conflict<strong>in</strong>g tradi tions exist<strong>in</strong>g<br />

side by side, seems to have characterized the teach<strong>in</strong>g of art <strong>in</strong> most classrooms.<br />

Here I will focus on art education <strong>in</strong> the primary school, grades 1 through<br />

6 (students 7–13 years of age), and the lower se con dary school, grades 7<br />

through 9 (students 13–16 years of age). I will relate art educational studies<br />

to educational philosophies, curricula, and practice of art education <strong>in</strong> Swedish<br />

schools. 5 S<strong>in</strong>ce my focus is on the <strong>in</strong>teraction be tween theory and practice,<br />

the outl<strong>in</strong>e is organized as a chronological analysis of the de velopment<br />

of art edu cation <strong>in</strong>terspersed with sections on research and other studies.<br />

Historical studies of art education<br />

Be<strong>for</strong>e start<strong>in</strong>g my presentation of educational paradigm shifts, however, I<br />

should men tion a few studies available <strong>for</strong> anyone who has acquired an <strong>in</strong>terest<br />

<strong>in</strong> the history of art educa tion <strong>in</strong> Sweden. For example, <strong>in</strong> 1980 Stig Eklund at<br />

Umeå University pub lished a book let with a great deal of quota tions from<br />

official documents (Eklund, 1980). And <strong>in</strong> their doc toral thesis on art education,<br />

Sten Pettersson and Gun nar Åsén wrote an extensive chapter on the<br />

develop ment of the subject <strong>in</strong> Sweden, analys<strong>in</strong>g the literature from the<br />

mid-19th century until the 1980 school curriculum (Pettersson & Åsén,<br />

5 <strong>The</strong> study of Swedish art education until 1994 is presented at greater length <strong>in</strong> <strong>Arts</strong> <strong>Education</strong> Policy<br />

Review, May 1997.<br />

36 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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