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Research in Visual Arts Education - The National Society for ...

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MEDIATED ACTION AND AESTHETIC LEARNING<br />

<strong>The</strong>mes <strong>in</strong> Swedish studies 1995–2008<br />

Lars L<strong>in</strong>dström<br />

Introduction<br />

Contemporary education of visual arts teachers <strong>in</strong> Sweden can be characterized<br />

<strong>in</strong> terms of two trends: decentralisation and academisation. In the 1960s,<br />

when the shift from an art-based conception of the subject to visual communication<br />

took place, all art teachers were tra<strong>in</strong>ed at the University College<br />

of <strong>Arts</strong>, Crafts and Design <strong>in</strong> Stockholm (Konstfack) (Nordström 1994).<br />

In 1976 Umeå University <strong>in</strong> Northern Sweden began to tra<strong>in</strong> art teachers as<br />

well (Eklund, 2002). S<strong>in</strong>ce 1994, however, each <strong>in</strong>stitution of higher education<br />

can decide which courses they want to teach. As a consequence, today<br />

at least n<strong>in</strong>e universities and university colleges offer curricula designed <strong>for</strong><br />

tra<strong>in</strong><strong>in</strong>g art teachers . S<strong>in</strong>ce 1988, tra<strong>in</strong><strong>in</strong>g <strong>in</strong> art education<br />

has to be comb<strong>in</strong>ed with preparation <strong>for</strong> teach<strong>in</strong>g another school<br />

subject as well. <strong>The</strong>re<strong>for</strong>e, a degree of bachelor of education <strong>in</strong> the visual<br />

arts (Sw. bildlärarexamen) no longer exists.<br />

Only Konstfack <strong>in</strong>cludes work samples as a requirement <strong>for</strong> be<strong>in</strong>g accepted<br />

<strong>in</strong>to the programme. At other schools <strong>for</strong> education, the artistic tra<strong>in</strong><strong>in</strong>g of<br />

students be<strong>for</strong>e enter<strong>in</strong>g the programme varies a lot. <strong>The</strong> decentralisation<br />

of art teacher tra<strong>in</strong><strong>in</strong>g has consequences <strong>for</strong> the identity <strong>for</strong>mation of art<br />

teachers. As with music teachers (Alexandersson, 2007), teach<strong>in</strong>g art tended<br />

to be a way of life rather than a profession. Art teachers accepted or even<br />

appreciated be<strong>in</strong>g def<strong>in</strong>ed as “outsiders” <strong>in</strong> the school community. <strong>The</strong> present<br />

generation, tra<strong>in</strong>ed <strong>in</strong> pictorial studies comb<strong>in</strong>ed with another school<br />

subject at <strong>in</strong>stitutes all over the country, <strong>in</strong>creas<strong>in</strong>gly look upon themselves<br />

as any other category of teachers (Marner, 2008).<br />

As a result of more than half a century of re<strong>for</strong>ms, teacher education<br />

has step by step been <strong>in</strong>tegrated <strong>in</strong>to the university. <strong>The</strong> latest step <strong>in</strong> that<br />

direction was taken <strong>in</strong> 2007 when the Stockholm Institute of <strong>Education</strong>,<br />

prepar<strong>in</strong>g one fifth of all teachers <strong>in</strong> the country <strong>for</strong> their profession, was<br />

closed down as an autonomous authority and absorbed by eight departments<br />

of educational sciences erected at Stockholm University. A Department of<br />

52 NORDIC VISUAL ARTS EDUCATION IN TRANSITION

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