Research in Visual Arts Education - The National Society for ...
Research in Visual Arts Education - The National Society for ...
Research in Visual Arts Education - The National Society for ...
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MULTIFACETED APPROACH TO VISUAL ARTS EDUCATION<br />
appears to touch down widely <strong>in</strong> the knowledge base of visual arts education<br />
which L<strong>in</strong>dström displays.<br />
It may be difficult to def<strong>in</strong>e the trends and themes (threads) <strong>in</strong> the small<br />
but important tapestry that has been woven with Icelandic research <strong>in</strong> visual<br />
arts education dur<strong>in</strong>g the last ten years. Most of the studies connect <strong>in</strong><br />
one way or another to curriculum study <strong>in</strong> art education. Some are technologyrelated<br />
while others use narrative approaches. It is clear that <strong>in</strong> more studies<br />
the focus is on how art education is conducted rather than on how students<br />
experience it, i.e. the art teacher’s side is exam<strong>in</strong>ed. Although Rósa Kristín<br />
Júlíusdóttir’s (2003) research about the role of art mak<strong>in</strong>g <strong>in</strong> everyday life is<br />
student oriented. <strong>The</strong> emphasis <strong>in</strong> visual arts education <strong>in</strong> Iceland is still to<br />
a certa<strong>in</strong> extent on the design process and on the promotion of creativity.<br />
In her research project on art teach<strong>in</strong>g <strong>in</strong> Icelandic compulsory school<strong>in</strong>g<br />
Jóhanna Þórunn Ingimarsdóttir (2000) argues that art teachers th<strong>in</strong>k the<br />
best way to get their ideas across is <strong>for</strong> students to learn as many methods<br />
as possible to express their images and to become acqua<strong>in</strong>ted with as many<br />
types of materials as possible.<br />
Skills and procedures <strong>in</strong> mak<strong>in</strong>g art have not played a large role <strong>in</strong> the<br />
research <strong>in</strong> visual arts education with<strong>in</strong> the universities <strong>in</strong> Iceland. <strong>The</strong><br />
Reykjavík School of <strong>Visual</strong> Art (RSVA) is a non-profit organization operated<br />
by artists. It was founded <strong>in</strong> 1947 and has been recognized s<strong>in</strong>ce the year<br />
2000 by the M<strong>in</strong>istry of <strong>Education</strong>, Science and Culture as a private school<br />
at the upper secondary level. It also provides professional art education <strong>for</strong><br />
children and youth of primary school age based upon an agreement with<br />
the Reykjavík City <strong>Education</strong> Service Centre. <strong>The</strong> faculty <strong>in</strong>cludes artists<br />
and designers who are selected as teachers on the basis of their education<br />
and artistic career. Most have received their master’s degree <strong>in</strong> visual art, design<br />
or architecture as well as hav<strong>in</strong>g completed pedagogy to receive a Post<br />
Graduate Certificate of <strong>Education</strong>. Maureen Michael (2005), an educational<br />
researcher, calls them “pedagogical artists” as they have commitments to<br />
creative practice and facilitate learn<strong>in</strong>g experiences <strong>for</strong> others.<br />
It can be argued that the experimental work, development projects and<br />
research <strong>in</strong> visual arts education that take place with<strong>in</strong> this school are significant<br />
<strong>for</strong> the Icelandic research <strong>in</strong> art education. S<strong>in</strong>ce 1999 several research<br />
projects have been carried out or are underway at RSVA. <strong>The</strong>se projects have<br />
<strong>in</strong>volved collaboration with pre-schools <strong>in</strong> Reykjavík as well as the compulsory<br />
schools. <strong>Research</strong> reports have been made by lecturers at both of the<br />
teacher tra<strong>in</strong><strong>in</strong>g universities, and have most often been conducted <strong>in</strong> a manner<br />
that meets the requirements of an academic research report.<br />
NORDIC VISUAL ARTS EDUCATION IN TRANSITION 121