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White paper on creativity - ebla center

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Chapter 4professi<strong>on</strong>al break and, mostimportantly allows them to “sign”projects.The relati<strong>on</strong>s between designers andcompanies described so far c<strong>on</strong>cernexternal forms of collaborati<strong>on</strong> mainlyin the field of industrial design.Some designers, however, do morethan simply design the product. Theymay extend their activities to productsystemc<strong>on</strong>sulting, and c<strong>on</strong>trolling andparticipating in the process from thedevelopment of the idea to itsimplementati<strong>on</strong> and marketcommunicati<strong>on</strong>s, as well as during itswhole life cycle. In such cases thecompany-designer relati<strong>on</strong>shipbecomes more intense and c<strong>on</strong>tinuous,and the entrepreneur may find it moreec<strong>on</strong>omical – in terms of transacti<strong>on</strong>costs – to hire the designer. Designersmay thus have very varied roles withinthe company organisati<strong>on</strong>. They maywork in close collaborati<strong>on</strong> with theR&D department, promoting, forexample, research <strong>on</strong> new materials tobe used in developing projects or <strong>on</strong>testing new applicati<strong>on</strong>s for theoutcome of previous research.Designers may also work al<strong>on</strong>gside thecommercial services or acquireinformati<strong>on</strong> <strong>on</strong> product sales trendsfrom which to establish c<strong>on</strong>sumerpreferences and predict c<strong>on</strong>sumer tastefor the purposes of future productdevelopment.Lastly, they may work in a selfc<strong>on</strong>tainedcompany research centre,which interfaces with all other areas ofthe company (R&D, producti<strong>on</strong> anddistributi<strong>on</strong>). In this case the designer’sactivity becomes internal c<strong>on</strong>sulting <strong>on</strong>the product system. Depending <strong>on</strong> thesize of the company, this activity maybe carried out by internal staff or byexternal c<strong>on</strong>sultants who will alsoinclude professi<strong>on</strong>al designers andtechnicians or crafts people, but alsooperators in commercial areas, gearedto design and able to share the samephilosophy and corporate language.4.6 An emblematic case:Milan and the designeractors in the furniture sectorCurrently, there is <strong>on</strong>ly <strong>on</strong>e area in Italyin which the various above-menti<strong>on</strong>edforms of collaborati<strong>on</strong> betweendesigners and companies can all befound: the so-called “metadistrict”district of Lombard design, which hasdeveloped in six provinces – Como,Milan, Bergamo, Brescia, Mantua andLecco – with a total of 46,054employees and 11 research centres(Club dei distretti, www.distretti.org). Theestimated annual turnover of themetadistrict amounts to around 250milli<strong>on</strong> euros and around 40% ofproducti<strong>on</strong> goes for export.The term metadistrict refers to thespecific nature of this vast areaembracing the traditi<strong>on</strong>al furnituredistrict, involving many towns inBrianza (i.e. Northwest Lombardy)with Milan for a hub, especially asregards the supply of integratedservices which go from developingWHITE PAPER ON CREATIVITY 104

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