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White paper on creativity - ebla center

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Chapter 12also c<strong>on</strong>diti<strong>on</strong>ed by taste and currenttrends. Excellent buildings and publicdebate <strong>on</strong> new works influence theculture of potential clients and theirwillingness to accept novelty. Fosteringa climate generating new opportunitiesfor young architects also requires publicacknowledgement of the value ofcreative works. Meetings and eventsmust be open to a n<strong>on</strong>-specialist public,supplemented with teaching activities inschools and communicated for use bythe c<strong>on</strong>temporary media.Public-sector clients play an importantrole, as does encouraging the practice ofdesign competiti<strong>on</strong>s. Comparing ideasstimulates competitiveness and<strong>creativity</strong>. It brings out the bestsoluti<strong>on</strong>s and highlights the mostinnovative, thus improving the chancesof commissi<strong>on</strong>s to build c<strong>on</strong>temporaryworks being given to quality architects.3. Rewarding innovati<strong>on</strong>. The courageto break down the barriers ofentrenched practice and overcomeec<strong>on</strong>omic difficulties and culturalc<strong>on</strong>diti<strong>on</strong>ing must be rewarded. Thesekinds of acti<strong>on</strong>s include design prizesand awards for enlightened clients, butalso actually c<strong>on</strong>structing the works incompetiti<strong>on</strong>s, which thus rewards thosewho have invested in research andenables emergent practices to c<strong>on</strong>tinueto experiment. For a youngarchitectural practice, systematicallytaking part in competiti<strong>on</strong>s involveshuge outlays, but in Italy far too oftenthe prize-wining projects are neveractually built. This process must beimproved, also through the use offeasibility studies and financial cover fordesigns entered in competiti<strong>on</strong>s.4. Instruments and mechanisms tosupport research and technologicalinnovati<strong>on</strong>. The widespread Italianmodel does not encourage the kind ofdialogue between research and theproducti<strong>on</strong> of new materials, buildingsystems and innovative soluti<strong>on</strong>s whichin other European countries hasproduced a large number of patents.The Italian model cannot be changed inthe short term but a number ofimprovements can be made to createmore favourable c<strong>on</strong>diti<strong>on</strong>s, such aspromoting the creati<strong>on</strong> of andsupporting centres of excellencefocused <strong>on</strong> research andinterdisciplinary experimentati<strong>on</strong>.Similarly, energies can channelled intothe strategic sectors in which we havebuilt up the kind of expertise that canmake a c<strong>on</strong>siderable c<strong>on</strong>tributi<strong>on</strong> toglobal research and innovati<strong>on</strong>, as forexample in the sector of restorati<strong>on</strong> orthe innovative field of the relati<strong>on</strong>between redeveloping historicarchitecture and energy savings.5. Launch acti<strong>on</strong> programmes atinternati<strong>on</strong>al level for Italianarchitectural <strong>creativity</strong>. Italian architectsencounter difficulties in participating ininternati<strong>on</strong>al competiti<strong>on</strong>s and tenders,due to shortcomings in informati<strong>on</strong>,language skills and in understandinglocal regulatory frameworks. PrizewinningItalian architects in majorinternati<strong>on</strong>al competiti<strong>on</strong>s canc<strong>on</strong>tribute to improving Italy’s overallreputati<strong>on</strong> and be a driving force forItalian firms in the sector. Goodsupport could be provided by thecreati<strong>on</strong> of “bridgeheads” in the mostdynamic countries. They could have thetask of making updated sector studies,supplying local support for c<strong>on</strong>structi<strong>on</strong>WHITE PAPER ON CREATIVITY 294

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