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White paper on creativity - ebla center

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Chapter 12architecture, we cannot simply limit theissue to measuring energy savings inbuilding practice or the use ofrenewable sources of energy, althoughthey do c<strong>on</strong>tribute c<strong>on</strong>siderably toreducing energy requirements andharmful emissi<strong>on</strong>s. We must also bearin mind that quality architecture canprovide value added to a local area,instead of subtracting it, and that thisvalue can be enhanced for futuregenerati<strong>on</strong>s.The combinati<strong>on</strong> of three c<strong>on</strong>cepts –development, sustainability and quality– has been espoused by the EuropeanUni<strong>on</strong>. In 2001 at Gothenburg, theenvir<strong>on</strong>mental dimensi<strong>on</strong> was includedin the European Lisb<strong>on</strong> strategy forgrowth and jobs and, in 2006,architectural and urban quality wasacknowledged as being a strategic factorfor development:“A high quality urban envir<strong>on</strong>mentc<strong>on</strong>tributes to the priority of therenewed Lisb<strong>on</strong> Strategy to makeEurope a more attractive place to work,live and invest.” lviPublic policies to promote Italian<strong>creativity</strong> in fostering qualityarchitecture can generate ec<strong>on</strong>omicspin-offs. Architectural and urbanquality makes a positive c<strong>on</strong>tributi<strong>on</strong> tothe internati<strong>on</strong>al image of a country,which is perceived as being forwardlooking,vital and open to change, andcapable of attracting investments,intellectual resources and advancedfuncti<strong>on</strong>s. They in turn affect the qualityof life and well-being of its inhabitants.Take, for example Dubai, <strong>on</strong>e of thefastest-growing cities in the world. In itsstrategic development architecture is akey factor in attracting investments.The spin-offs are difficult to quantify:we would have to calculate theundeniable benefits for tourism, forexample, as in the highly successful caseof Frank Gehry’s Guggenheim Museumin Bilbao. We would have to assess howmuch the success of Italian designdrives the furnishing and comp<strong>on</strong>entssector. But, most importantly, we wouldhave to calculate how far acti<strong>on</strong>spromoting quality architecture, likethose for art and culture, affect theimage of the country and its lifestyle andtherefore indirectly c<strong>on</strong>tribute to thepositi<strong>on</strong>ing of all Italian products.Italian architects have acquired specificexpertise in the field of safeguardingand redeveloping the architecturalheritage and the harm<strong>on</strong>ious inclusi<strong>on</strong>of buildings in the landscape. Thec<strong>on</strong>structi<strong>on</strong> of new buildings accordingto criteria of sustainable development is<strong>on</strong>e of the most effective resp<strong>on</strong>ses tothe need to optimise the use of energysources and reduce the degradati<strong>on</strong> ofnatural envir<strong>on</strong>ments. But it is equallytrue that redeveloping and restoring, asopposed to c<strong>on</strong>structing new buildings,can involve less waste of resources. lviiThe experience gained by Italiandesigners in their c<strong>on</strong>tinuousrelati<strong>on</strong>ship with historic architecturemeans that they always have thebenchmark of soluti<strong>on</strong>s devised byarchitects who could not rely <strong>on</strong> any oftoday’s energy sources.This invaluable rich heritage of expertiseand knowledge should be promoted anddeveloped <strong>on</strong> the internati<strong>on</strong>al scene sothat Italian architects, who have hadexperience in this training ground andhave been tackling these themes fordecades, can forge an Italian way toWHITE PAPER ON CREATIVITY 278

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