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White paper on creativity - ebla center

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Chapter 15Ambiti<strong>on</strong> 10. Express an Italian positi<strong>on</strong> in the European Uni<strong>on</strong> <strong>on</strong> theissue of the cultural and creative industriesAs far as the MiBAC is c<strong>on</strong>cerned, there is clearly a need for an ad hoc flexibleorganisati<strong>on</strong>al structure, making use of specific skills, which by establishing relati<strong>on</strong>s with thekey EU instituti<strong>on</strong>s pursues the necessary c<strong>on</strong>sultati<strong>on</strong> process with all Italian and otherstakeholders involved in the sector of culture.Key decisi<strong>on</strong> 13To c<strong>on</strong>solidate an active European policy in the field of the cultural and creativeindustries it would be useful to:• state the Italian positi<strong>on</strong> at times of decisi<strong>on</strong>-making with an approach based<strong>on</strong> proposals and not reacti<strong>on</strong>s• organise c<strong>on</strong>sulting activities with the various EU instituti<strong>on</strong>s <strong>on</strong> the variousthemes of interest (cultural and creative industries)• map out the EU strategies <strong>on</strong> the theme of cultural and creative industries inthe Commissi<strong>on</strong>, Council and Parliament• organise c<strong>on</strong>sultati<strong>on</strong>s <strong>on</strong> EU proposals with stakeholders in culture in orderto establish a joint Italian positi<strong>on</strong>.Key decisi<strong>on</strong> 14Provisi<strong>on</strong>s for the sector of the culture and the cultural industry are extremelyheterogeneous in the 27 member states. Incentives vary c<strong>on</strong>siderably fromcountry to country.At present the cultural industries are governed by the same regulati<strong>on</strong>s astraditi<strong>on</strong>al industry. The cultural and creative industries have many specificfeatures: the prevalence of small or micro firms, a flexible intermittent labourmarket, a highly-educated workforce, the phenomen<strong>on</strong> of superstars, thesymbolic and identity-building aspect of goods based <strong>on</strong> culture, and the highcomp<strong>on</strong>ent of intellectual property. On the grounds of these characteristics,they require uniform ec<strong>on</strong>omic policies capable of shaping a joint Europeanapproach to the sector.Ambiti<strong>on</strong> 11. Setting nati<strong>on</strong>al priorities: investing in the cultural heritageThe cultural heritage and its impact <strong>on</strong> the nati<strong>on</strong>al ec<strong>on</strong>omic system – from jobs toexports and global competiti<strong>on</strong> – has a very low profile <strong>on</strong> the Italian political agenda.There is a need to raise collective awareness of its ec<strong>on</strong>omic value, starting from theestimates in this report that the macro sector of the cultural and creative industriesaccounts for almost 10% of the GDP. Moreover, resetting nati<strong>on</strong>al priorities must takeinto account the positive, n<strong>on</strong>-m<strong>on</strong>etary impact <strong>on</strong> social quality and everyday life.Key decisi<strong>on</strong> 15WHITE PAPER ON CREATIVITY 347

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