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White paper on creativity - ebla center

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Chapter 8Chapter 8Televisi<strong>on</strong>, Radio and Publishing8.1 General RemarksSince the 1940s, book publishing, radioand televisi<strong>on</strong> have been c<strong>on</strong>sidered themain sectors of the “cultural industry”al<strong>on</strong>g with cinema, music (records) andnews<str<strong>on</strong>g>paper</str<strong>on</strong>g>s and periodicals even thoughthe c<strong>on</strong>cept itself of “cultural industry”has a str<strong>on</strong>g critical bias. Products inthese sectors are the outcome of theelaborati<strong>on</strong> and/or diffusi<strong>on</strong> of c<strong>on</strong>tentfrom the fields of literature, music, essaywriting, performing arts andinformati<strong>on</strong>. The c<strong>on</strong>tent is managedmainly according to market criteria,despite the presence of powerful publicplayers (radio and televisi<strong>on</strong> weremanaged by a m<strong>on</strong>opoly until the 1970s,today state-run networks compete withprivate enterprise) and a n<strong>on</strong>-profitsector which, again in the field of radioand televisi<strong>on</strong>, is subject to its ownspecific regulati<strong>on</strong>s. All of these sectorshave a strategic functi<strong>on</strong> in the overallproducti<strong>on</strong> of culture in the country.Publishing books is the oldest sector ofthe cultural industry. Historically it hadthe task of promoting and disseminatingtexts <strong>on</strong> literature, science, educati<strong>on</strong> orof a practical nature (from tourist guidesto handbooks for a great variety ofprofessi<strong>on</strong>al or amateur activities). Thehealth of the book publishing sectorand its trends are thus <strong>on</strong>e of the mostrevealing symptoms of the state ofnati<strong>on</strong>al cultural life in the widest sense.Radio and televisi<strong>on</strong> (the former sincethe inter-war period and the latter sincethe 1950s) have been the primary meansfor disseminating culture in general, if<strong>on</strong>ly because, of all the media they arethe first and sec<strong>on</strong>d in terms of timespent using them in Italy (but alsoelsewhere). According to Censis/Ucsifigures (2005), 95.4% of Italians declarethey are habitual users of the televisi<strong>on</strong>(another 1.8% are occasi<strong>on</strong>al users),while 59% are habitual radio users(11.1% occasi<strong>on</strong>al users). Books lag farbehind these figures: <strong>on</strong>ly 31.5%habitual readers plus 15.1% occasi<strong>on</strong>alreaders (we will return to these figuresbelow). Moreover, televisi<strong>on</strong> inparticular is the main vehicle for filmsand an extraordinary promoter of allkinds of cultural products, includingbooks.The fact remains, that despite the cleardifferences in terms of size anddistinctive features between the varioussectors, they have some comm<strong>on</strong> traitsworth dwelling <strong>on</strong> and which are <strong>on</strong>lypartly typical of the whole Italiancultural industry.WHITE PAPER ON CREATIVITY 192

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