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White paper on creativity - ebla center

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Chapter 2products provide the means forc<strong>on</strong>suming copyrighted products, e.g.CD and DVD players, televisi<strong>on</strong>s andcomputers.The main strength of this approach isthe straightforward matching of thedefiniti<strong>on</strong> of the industries and thestatistical classificati<strong>on</strong> used to measurethe most significant ec<strong>on</strong>omic variablesat nati<strong>on</strong>al level.The KEA C<strong>on</strong>centric Circles ModelA study carried out by KEA for theEuropean commissi<strong>on</strong> describes andanalyses the ec<strong>on</strong>omic c<strong>on</strong>tributi<strong>on</strong> ofthe sector defined as the “Ec<strong>on</strong>omy ofCulture” <strong>on</strong> the European scene.In this approach, first proposed byThrosby (2001), an analyticalframework describes the Macrosectoraccording to a c<strong>on</strong>centric model. At thecentre are more strictly artistic activitiesor those c<strong>on</strong>nected to the culturalheritage. Round this core are thetraditi<strong>on</strong>al Cultural Industries, i.e. thoseinvolved in reproducing andcommercialising cultural productsgenerated by artistic activities. Bey<strong>on</strong>dthe Cultural Industries are the CreativeIndustries, which include activities suchas design, architecture and advertising.Lastly, the outermost circle c<strong>on</strong>tainsthe C<strong>on</strong>nected Industries, characterisedby the producti<strong>on</strong> and marketing ofsupports for the fruiti<strong>on</strong> of goods andservices supplied by the cultural andcreative industries.On the basis of this classificati<strong>on</strong>, theEc<strong>on</strong>omy of Culture approach isintended to be a synthesis of theCultural, Creative and CopyrightIndustries models.The UNCTAD ModelThe model put forward by UnitedNati<strong>on</strong>s C<strong>on</strong>ference <strong>on</strong> Trade andDevelopment (UNCTAD) is the mostrecent approach to the subject and waslaunched with the Creative Ec<strong>on</strong>omy 2008report.This model identifies four main areasof the cultural ec<strong>on</strong>omy and <strong>creativity</strong>:the Cultural Heritage, Visual andPerforming Arts, Media, andFuncti<strong>on</strong>al Creati<strong>on</strong>s.The Cultural Heritage, seen as culturalcapital, is the origin of all cultural andartistic expressi<strong>on</strong>s in a country. Thisarea includes museums, archives,libraries, m<strong>on</strong>uments and sites ofcultural interest. The Visual andPerforming Arts encompass those goodsand services generated by artisticexpressi<strong>on</strong>, i.e. performing arts and artobjects. The category of Media groupstogether goods and services producedby the traditi<strong>on</strong>al cultural industries, i.e.books, films and music. Lastly, thegroup of Functi<strong>on</strong>al Creati<strong>on</strong>s includethose services and goods which haveboth a str<strong>on</strong>g symbolic c<strong>on</strong>tent and afuncti<strong>on</strong>al value. This group includesfashi<strong>on</strong> and design goods, the servicesof architecture and advertising,software and videogames. TheUNCTAD classificati<strong>on</strong> is based <strong>on</strong> thestatistical need to measure theinternati<strong>on</strong>al trade of cultural andcreative products, rather than a need toWHITE PAPER ON CREATIVITY 52

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