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White paper on creativity - ebla center

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Chapter 4ideas and research to the end product,as well as marketing. In the towns ofBrianza the main activities are not <strong>on</strong>lyin the furniture sector but also similarsectors, such as lighting and fabrics forfurnishing, which are part of thebroader category of “householdfurnishings”.A recent study (Bertola et al., 2002)reveals the presence of a strikingnumber of firms, instituti<strong>on</strong>s andfacilities in the Milanese metropolitanarea:• Over 80 of the 140 firms (almost60%) in the overall Italian designerfurniture sector; as market leaders(Cassina, B&Bitalia, Artemide, Flou,F<strong>on</strong>tanaArte, to name but a few), theyaccount for almost 80% of overall salesvolume.• More than 60% of designstudios registered with the ADI(around 1,000) mainly involved indesigning furniture, household objects,accessories and textiles, and in productcommunicati<strong>on</strong>s (advertising andgraphics).• The C<strong>on</strong>siglio Nazi<strong>on</strong>ale delDesign (“Nati<strong>on</strong>al Design Council”).• The main publishing housesproducing specialist reviews <strong>on</strong>furniture and interior design (Domus,Casabella, Abitare, Interni, Ottag<strong>on</strong>o, etc.).• Celebrated Italian andinternati<strong>on</strong>al schools, universities andresearch centres (Domus and theCentro Studi Domus, Istituto Europeodi Design and the IED ResearchCentre, the Nuova Accademia di BellaArti and since 1993, the Faculty ofIndustrial Design at the MilanPolitecnico, etc.) – we will explore theirprogrammes in greater depth in thesecti<strong>on</strong> <strong>on</strong> educati<strong>on</strong>.• The ADI, the Associazi<strong>on</strong>e deiprogettisti in Architettura d'Interni(AIPI – Associati<strong>on</strong> of Interior DesignArchitects) and the Associazi<strong>on</strong>e deiProgettisti di Comunicazi<strong>on</strong>e Visiva(AIAP – Associati<strong>on</strong> of VisualCommunicati<strong>on</strong>s Designers), whichgroups together all operators in thesector of communicati<strong>on</strong>s, traditi<strong>on</strong>algraphics and multimedia.Milan is also the largest Italian tradefair centre and the fact the city is due tohost the 2015 Expo will surelyc<strong>on</strong>solidate this role. Milan has a hugenumber of exhibiti<strong>on</strong> spaces (16 ofvarying size and importance) whichaccommodate a great variety ofproducti<strong>on</strong> sectors (from fashi<strong>on</strong> totourism). As far as events in thefurniture and design sector arec<strong>on</strong>cerned, the biggest event is theSal<strong>on</strong>e Internazi<strong>on</strong>ale del Mobile(Internati<strong>on</strong>al Furniture Show) held not<strong>on</strong>ly in the traditi<strong>on</strong>al trade fair centrebut also in exhibiti<strong>on</strong> spaces in the city(company showrooms in the historiccentre, cultural instituti<strong>on</strong>s and evenprofessi<strong>on</strong>al studios). The Sal<strong>on</strong>e isaccompanied by a host ofcomplementary cultural eventshighlighting its communicati<strong>on</strong>alpower.Lastly, in the Milanese design system,renowned for furniture, advertisinggraphics and fashi<strong>on</strong>, there is no lackof those instituti<strong>on</strong>s required to meetthe needs of the historic memory andto act as a source of new ideas: privateand public archives and museums, suchWHITE PAPER ON CREATIVITY 105

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