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White paper on creativity - ebla center

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Chapter 3world. But it is also a very specialsystem of dividing labour. In fact it is<strong>on</strong>e of the largest in the world and ischaracterised by the fact that milli<strong>on</strong>sof people are involved in a cooperative-competitiveactivity withoutany previous knowledge of theirpartners. And in a highly risky c<strong>on</strong>textin which reaching a specific objective– getting to a destinati<strong>on</strong> safe andsound – mainly depends <strong>on</strong> complyingto essentially n<strong>on</strong>-written rules andc<strong>on</strong>venti<strong>on</strong>s, while everything takesplace in c<strong>on</strong>diti<strong>on</strong>s of extreme speedand unpredictability. Studies <strong>on</strong>driving have often focused <strong>on</strong> thepsychological aspects and the aspectsof percepti<strong>on</strong>, such as visibility andpositi<strong>on</strong> of signals. Little attenti<strong>on</strong> hasbeen dedicated, however, to social andcultural factors which affect drivers’performances, such as respecting rulesand understanding the laws. And thesefactors are crucial, because much ofthe smooth working of the trafficsystem depends <strong>on</strong> them.This simply means that our everydayexperience of driving, with itsattendant real dangers, is regulated byc<strong>on</strong>venti<strong>on</strong>s and regulati<strong>on</strong>s whosecomprehensi<strong>on</strong> is crucial for individualsurvival but which are not reallyc<strong>on</strong>sidered systematically by decisi<strong>on</strong>makers.All of this leads us to anotheraspect. The “space of flows” generatedby the automobile system is part of thepublic space. We move throughsquares and streets not <strong>on</strong>ly <strong>on</strong> footbut also in vehicles. The driving spaceis thus <strong>on</strong>e of those socialenvir<strong>on</strong>ments recently shaped bymodernity and which depend greatly<strong>on</strong> the public culture of eachcommunity. In turn, the ways weinteract during these l<strong>on</strong>g hours ascitizens of the mobile city, engaged inthe co-operative and competitiveexercise of the divisi<strong>on</strong> of labour,reinforces customs and approaches tosocial relati<strong>on</strong>s. An average welleducatedmiddle-class man may betransformed by road rage if his path issuddenly crossed incorrectly. But it isprecisely the percepti<strong>on</strong> that agenerally accepted rule has beenviolated by a cyclist or jaywalker whichgenerates the highest level ofaggressiveness, as can be seen whenobserving drivers. There is no roomfor doubt: the driver’s etiquettereflects a larger system of customs andbehaviour bel<strong>on</strong>ging to each specificplace, within the regi<strong>on</strong>al or nati<strong>on</strong>alculture.In reality the interrelati<strong>on</strong> betweenprivate and public is much morecomplex than appears. Public spacemay not <strong>on</strong>ly be an extensi<strong>on</strong> to orcomplement private space but mayalso be dialectically opposed to it. Thefinal result may be obtained bysubtracti<strong>on</strong>, when public space isc<strong>on</strong>sidered as what is left over fromthe private sphere of life. “Citieswithout civic communities” is ac<strong>on</strong>cept which has been discussed indepth by Yanis Pyrgiotis (Delors,1994: 173), especially with reference tosouthern European cities, in whichdressing up the city for foreigners isc<strong>on</strong>sidered a waste of m<strong>on</strong>ey and thereis no interest in the “public eye” andits related c<strong>on</strong>sciousness (Sennett,1992). The lack of a public eye orWHITE PAPER ON CREATIVITY 65

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