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White paper on creativity - ebla center

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Chapter 8changes in political power become afactor of uncertainty, at times alsostrictly ec<strong>on</strong>omic uncertainty. This isparticularly evident in the field of radioand televisi<strong>on</strong>, where an imminentchange at the head of the state-runcompany can create situati<strong>on</strong>s ofparalysis in decisi<strong>on</strong>-making whichoften drag <strong>on</strong> for m<strong>on</strong>ths or even years,as has happened in Italy between 2006and 2009.Thirdly, given the financial fragility ofthese particular sectors in the cultureindustry (with the partial excepti<strong>on</strong> oflarger companies) another criticalcharacteristic feature is a lack ofinstituti<strong>on</strong>s specialised in the field andcapable of assessing risks andinvestments which might be anomalousin other ec<strong>on</strong>omic spheres.Lastly, can an industry in which no <strong>on</strong>etakes the risk of c<strong>on</strong>ceiving ideas beforeassessing their sales potential berightfully called “creative”? C<strong>on</strong>trary towhat is generally thought, for example,US televisi<strong>on</strong> ficti<strong>on</strong> gives a good dealof room to these kinds of processes,whereas, because of structuralweaknesses and inveterate habits, theItalian model does not.This is arguably an example whosesignificance goes well bey<strong>on</strong>d thespecific case of televisi<strong>on</strong> ficti<strong>on</strong> andhelps us understand many of theprocesses described in this <str<strong>on</strong>g>White</str<strong>on</strong>g> Paper.WHITE PAPER ON CREATIVITY 207

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