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White paper on creativity - ebla center

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Chapter 11potential in 153 communaladministrati<strong>on</strong>s), xliv the Church heritageand all the “temporary” part of supplyin the form of exhibiti<strong>on</strong>s.In Italy over 1,600 exhibiti<strong>on</strong>s of acultural nature are held annually(obviously excluding those incommercial galleries and spaces), towhich we should add trade fairs andshows (dedicated to books, cuisine,visual arts, antiquities, etc) festivals,courses, prizes, competiti<strong>on</strong>s andc<strong>on</strong>ferences.Even when we focus <strong>on</strong>ly <strong>on</strong> themuseum sector, we see there is a greatdispersi<strong>on</strong> in terms of ownership andgeographical distributi<strong>on</strong>, whereasquality and visitors are highlyc<strong>on</strong>centrated. This generates seriousproblems in co-ordinating policy forthe system (Fig. 11.1).Fig. 11.1 – Ownership of Italian museumsChurch12%Provinces3%Regi<strong>on</strong>s2%State13%Communal Admin.48%Private22%Source: Corte dei C<strong>on</strong>ti, 2005WHITE PAPER ON CREATIVITY 259

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