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White paper on creativity - ebla center

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Chapter 12designs. Exchanging ideas brings outthe best soluti<strong>on</strong>s and highlightsinnovati<strong>on</strong>. Although the l<strong>on</strong>g-awaitedItalian law <strong>on</strong> architectural and urbanquality has still not been approved,thanks to the intense promoti<strong>on</strong> workby the Ministry for the Heritage andCultural Activities and the professi<strong>on</strong>alorders, the number of competiti<strong>on</strong>s inItaly has risen c<strong>on</strong>siderably: from 19 in1995 to 223 in 2007. lxixFigure 12.5 Number of competiti<strong>on</strong>s in Italy per year25020018722318515010079500483219410 17 18 2811995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007The chance to build a projectToday experimentati<strong>on</strong> does not pay.Taking part in competiti<strong>on</strong>s involveshuge expenditure for architecturalpractices and not all of them can affordit. Moreover, even if they do manage towin the competiti<strong>on</strong>, the chances ofactually c<strong>on</strong>structing the building areeven remoter.Although the number of competiti<strong>on</strong>shas risen c<strong>on</strong>siderably in recent years,the percentage of works c<strong>on</strong>structedfrom prize-winning designs is still verylow. This discourages many designers,especially since competiti<strong>on</strong> prizes arefairly insignificant and do not cover thecosts involved. Architectural firms thusreck<strong>on</strong> that the business risk inparticipating is too high. Nothingcomparable happens in other Europeancountries. For example, in France,designers are chosen <strong>on</strong> the basis oftheir curriculum and those admitted tothe competiti<strong>on</strong> stage receive apayment to cover the costs ofdesigning a quality work. In Italy theprocess requires improving, alsothrough the use of feasibility studiesand financial cover for the worksentered in competiti<strong>on</strong>s to ensure thatarchitects are encouraged toexperiment and innovate.WHITE PAPER ON CREATIVITY 289

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