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White paper on creativity - ebla center

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Chapter 3physical setting of our homes, and themicro-system of dwelling, i.e. theinternal organisati<strong>on</strong> of homes andtheir relati<strong>on</strong>s with the outside world.The two levels are obviouslyinterrelated but refer to different setsof variables. I will try to sum up themain issues in a series of points partlytaken from previous works(Martinotti,1999, 2002, 2005) butintegrated and further developed inthis work.The urbanisati<strong>on</strong> of society and themetamorphosis of the urban objectPopulati<strong>on</strong> trend estimates at the turnof the 21st century suggest that ourage is witnessing a phenomen<strong>on</strong> <strong>on</strong> aworldwide scale: for the first timesince it emerged as a physical productof human organisati<strong>on</strong> 120 to 50centuries ago, the urban populati<strong>on</strong>accounts for the majority of theworld’s inhabitants. And in theabsence of unpredictable events <strong>on</strong> ahuge scale, wars, epidemics or naturalcatastrophes, always possible even ifnot very likely, this proporti<strong>on</strong> willprobably rise and especially in theless developed regi<strong>on</strong>s of the world.The final stages in this transformati<strong>on</strong>were a feature of the 20th century,during which the world populati<strong>on</strong>doubled twice. To provide acomparative quantitative idea: theprevious doubling of the worldpopulati<strong>on</strong> up to 1.6 billi<strong>on</strong> (thepopulati<strong>on</strong> at the beginning of the20th century) took place 150 years agoin the 19th century. By the 1970s thepopulati<strong>on</strong> was 3 billi<strong>on</strong> and after <strong>on</strong>ly30 years, it rose to 6 billi<strong>on</strong>, and overhalf of this figure were people living incities. The comm<strong>on</strong> percepti<strong>on</strong> of thisprocess is that country and city are likecommunicating vases, i.e. <strong>on</strong>e emptieswhile the other fills. But this is amisleading and ingeniously mechanicalmodel. As happens in all livingsystems, change is an interactivephenomen<strong>on</strong>: as the “countryside”depopulates, its nature changesradically.Only in the last 200 years, followingthe worldwide spread ofindustrialisati<strong>on</strong> in increasingly largecircles out from Britain, the ratio ofurban to rural dwellers changed fromthe pre-industrial figure of 1:9 to theexact opposite of 9:1. As <strong>on</strong>egeographer has pointed out “thepeople who live in today’s Europeancities would like to c<strong>on</strong>serve thecountryside as the rural populati<strong>on</strong> leftit. While some experts stress the needto keep enough farmers to c<strong>on</strong>servenature and the open spaces as they are,others accuse the farming industry ofbeing <strong>on</strong>e of the main causes of thedemise of the landscape, the polluti<strong>on</strong>of water-bearing strata, the destructi<strong>on</strong>of river banks and the proliferati<strong>on</strong> ofbuildings in the country.” But whenthese accusati<strong>on</strong>s are levelled atfarmers, urban dwellers forget thatsuch situati<strong>on</strong>s are the result of theirown growing numbers and thec<strong>on</strong>tinually rising demand for low-costfood. “Urban dwellers would like thelandscape to be the outcome of a ruralsociety living harm<strong>on</strong>iously with itselfand nature, immutable and foreverfrozen in a legendary Golden Age. InWHITE PAPER ON CREATIVITY 59

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