12.07.2015 Views

White paper on creativity - ebla center

White paper on creativity - ebla center

White paper on creativity - ebla center

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Chapter 7locati<strong>on</strong>, the creati<strong>on</strong> of a specificoffice for obtaining permits, and all theliasing with the various localinstituti<strong>on</strong>s during the pre-producti<strong>on</strong>and producti<strong>on</strong> stages. In some casesassistance also includes organisingspecial agreements for the supply ofservices <strong>on</strong> behalf of the producers.This brings us to a critical pointintrinsic in the relati<strong>on</strong>s betweenprivate professi<strong>on</strong>al resources (locati<strong>on</strong>scouts, locati<strong>on</strong> managers and services)who operate in the field and theactivity, by definiti<strong>on</strong>, n<strong>on</strong>-profit,carried out by most of the filmcommissi<strong>on</strong>s. Several soluti<strong>on</strong>s havebeen adopted to this issue in Italy: thefilm commissi<strong>on</strong>s “withdraw” from thefield (but they lose leverage in thecompetiti<strong>on</strong>), or they make the privateprofessi<strong>on</strong>als “public” by hiring orgiving appointments to private businessoperators.3. Training. Film commissi<strong>on</strong>sincreasingly operate in various way inthe field of educati<strong>on</strong> or professi<strong>on</strong>altraining for the audiovisual sector.Training is c<strong>on</strong>sidered crucial in termsof making a regi<strong>on</strong> competitive and inattracting exogenous investments tothe sector. The training activities takethe form of professi<strong>on</strong>al courses,seminars and workshops, organisedboth as preparati<strong>on</strong> for the variousprofessi<strong>on</strong>s and trades in the filmindustry and for specialisati<strong>on</strong> courses.4. Making the most of localprofessi<strong>on</strong>al skills. This is another ofthe principal activities pursued by filmcommissi<strong>on</strong>s. The logic is naturally todevelop groups of professi<strong>on</strong>als andservice companies at local level in orderto be more competitive (reducing theneed for producti<strong>on</strong>s to bring theirown technicians or use otherproducti<strong>on</strong> centres) and so limit the socalledleakage of funds whichproducti<strong>on</strong>s could spend <strong>on</strong> the localregi<strong>on</strong> instead of involving externalproducti<strong>on</strong> factors. Highlighting localskills is usually d<strong>on</strong>e through the meansof a Producti<strong>on</strong> Guide, a kind ofdirectory created by film commissi<strong>on</strong>sfor the benefit of outside producti<strong>on</strong>companies.From the point of view of futuredevelopments, film commissi<strong>on</strong>s couldplay new more interesting roles andadopt further acti<strong>on</strong> strategies. Here wewill simply list a few of them:• create local development agents,formed by fostering and creatingenterprises;• implement regi<strong>on</strong>al and localproduct placement• develop film tourism, i.e. a morecomplete and appropriateexploitati<strong>on</strong> of tourist flowspotentially generated by films andtelevisi<strong>on</strong> series• provide funding.WHITE PAPER ON CREATIVITY 186

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!